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CULTURAL

Monday, September 24, 2001 Online Edition 38

Heroes, famous places decorate Honduras' national currency

By ERIC TIMAR
Special to Honduras This Week

TEGUCIGALPA -- If you're like me, which is admittedly doubtful, you're curious about all the people and pictures on those lempira notes you carry around. Who are these famous Hondurans? What did they do to earn a spot on the national currency? What's up with Soto's facial hair on the two-lempira bill?

Get the answers -- pull out that wad of pisto and follow along on this currency tour!

The face of the one lempira note shows Lempira himself, a Lenca chieftain who was killed fighting the Spanish in the 16th Century. Legend has it that he was tricked by the Europeans and shot while negotiating a peace agreement, but some historians doubt this. While the conquistadors were certainly ready to treacherously murder indigenous leaders -- just ask the angry ghost of Atahualpa, the Inca -- it seems Lempira may have been killed in battle. (This debate has been covered in Honduras This Week; check out the July 31, 2000 issue online.)

One obvious question involves his portrait -- how does anyone know what he looked like? Did the Europeans draw him before they whacked him? I called Dr. Mario Felipe Martinez Castillo for the answer to this question. (That's something I love about this place, incidentally -- Dr. Martinez Castillo is one of the most prestigious living Honduran historians, and he encourages me to call him at home and chat. Imagine trying to get Stephen Ambrose on the phone.)

Anyway, Dr. Martinez Castillo said the portrait of Lempira is an "invention." A council convened in Tegucigalpa in 1930 to establish what he looked like, and this is what they came up with. They did at least use a genuine indigenous Honduran man as a model; you can see his photograph in the Central Bank Museum in the bank annex building in Comayaguela.

On the left side of the front of the note is the seal of Honduras amid trees and mines. The reverse of the note (for those profligate or distant readers who don't have any lempiras on them) shows the ball court and hieroglyphic stairway as they stand in the ruins of Copan.

THE REFORMER
The two lempira bill shows Marco Aurelio Soto, "reformer of the Republic," who was president from 1876 to 1883. On the reverse is a scene of the town of Amapala on the southern coast, with an explanation that Soto inaugurated his administration there. This begs the question, of course, "Why did he do it there?" Did he yearn for the broiling heat of San Pedro Sula combined with the mountainous inaccessibility of the south? It turns out Soto came to Honduras in 1876 by sea (from Guatemala) during a civil war. He was backed by troops from Guatemala and wasted no time in taking, and I mean taking, office.

The changes Soto made in Honduras are known as the reforms of 1876. He reorganized the monetary system, for one thing; before he came along, several different currencies were in circulation. He hired a businessman from New York, one George Downing, to set up a national mint.

Soto also encouraged entrepreneurs to set up agricultural ventures in the countryside. He allowed these investors to take over government land and also -- this may not win him points with a lot of historians -- to take over communal land. Soto also built roads and set up a telegraph system. Soto enacted his reforms with the help of Ramon Rosa. Rosa appears on the five hundred lempira note, so we will jump to that one.
The five hundred shows Ramon Rosa, secretary general in the administration of Marco Aurelio Soto. He is credited with re-organizing schools and setting up new ones. The mail system was established under his watch as well -- that explains the mailbox next to his portrait. 

On the reverse of the bill is the El Rosario mine in San Juancito as it stood in 1893. A large, U.S.-funded mining operation began exploiting this mine during the administration of Soto and Rosa; Soto himself was part owner of the mine and he rammed through concessions to attract a U.S. company. This firm, The New York and Honduras Rosario Mining Company, was exempt from all taxes; it didn't even pay the one percent municipal tax that today's foreign mining operations cough up. Once again, this self-serving move of Soto's may leave present-day readers wondering why he got on a bill and not, say, soccer hero "Chelato" Ucles.

THE PATRIOT
The five lempira bill shows Francisco Morazan on front and the battle of La Trinidad on the back.

Morazan, of course, is the local hero who served as president of the Federation of Central America from 1830 to 1840. He was born in Tegucigalpa in 1792 (there is a plaque at his birthplace, one block north from the peatonal on Calle Mendieta. This is a block south of that battered concrete elephant by the Almacen El Elefante.) Our friends at the Encyclopedia Britannica online, who are tough to impress, call Morazan "the outstanding military and political hero of Central America from 1827 until his death."

Morazan was not only a patriot who was happy to be free from Spain but a democrat who demanded reforms in the Central American government. Longino Becerra, in his 1982 book Evolucion Historica de Honduras, writes that Morazan advocated an egalitarian nation with elections, popular education, and individual rights.

Morazan commanded an army that fought Jose Justo Milla in the battle of La Trinidad on Nov. 11, 1827. (La Trinidad is located not far south from Tegucigalpa in, you guessed it, the department of Francisco Morazan.) Milla had been sent by the conservative president of Central America, Manuel Jose Arce, to overthrow the Honduran leader Dionisio de Herrera (more on him later). Milla succeeded in this but then lost to Morazan and fled Honduras. Morazan was soon installed as the new chief of state of Honduras, since Herrera had been hauled off to Arce under arrest. Thus started the career of Morazan, this hometown boy, this populist, this hell-raiser, this stubborn dreamer of whom Hondurans are rightfully proud.

The ten lempira bill depicts Jose Trinidad Cabanas, president from 1851 to 1855. Cabanas, a liberal morazanista, took some steps toward restoring Central America as a unified nation. This angered the government of Guatemala, which, according to Becerra, was friendly with England at the time. England felt that a unified Central America would threaten its colonial interests in the area, so it helped Guatemala attack Cabanas; the Brits were hip to proxy warfare long before Ngo Dinh Diem even learned what JFK stood for. In 1852, Guatemala invaded Honduras and eventually toppled Cabanas.

On the reverse of the ten is a drawing of the national university, which was not founded by Cabanas. It was founded by President Juan Lindo in 1847. Go figure.

FIRST CHIEF OF STATE
The twenty shows Dionisio de Herrera, the first chief of state of Honduras, so named in 1824 (he was not technically "president" because Honduras, again, was part of the Federation of Central America at the time). Herrera, as mentioned earlier, was deposed by conservatives after just three years in office because he was too liberal -- for example, he had a big private library, all in French, with books about democracy and the social contract and so on. Before overthrowing him, the conservatives burned that library down, which shows the level at which those scum were operating.
On the back of the new twenties that are two years old or less is a figurative, Iwo Jima-like scene of Hondurans rebuilding the nation after Hurricane Mitch. Give the artists credit for picturing a woman along with the four men -- she's the only one you will see on these bills.

The fifty shows Juan Manuel Galvez, who evidently looked like Martin Landau. He was president from 1949 to 1954 and was lucky enough to serve in prosperous times -- the worldwide economic upswing after World War II swept along Honduras as well.

Galvez is also remembered for allowing the United States to use Honduran territory to launch a military coup against Jacobo Arbenz in Guatemala in 1954. (Guatemalans did most of the shooting.) The back shows the annex of the Central Bank, located in Comayaguela.

The one hundred shows Jose Cecilio del Valle, an intellectual who advocated independence from Spain. He served in the government of Central America from its founding in 1823 -- he was one of the authors of its first constitution -- until his death in 1834. The back shows the house where he was born, which is located next to the central park in the southern Honduran city of Choluteca. Next to del Valle's portrait on the front of the bill is a drawing of the imposing bridge that crosses the river Choluteca in that city.

So that's the gallery of Honduran heroes. We should enjoy them before the nation switches to dollars and we Yanks have to start explaining why we have that slave owner/Indian killer Andrew Jackson on our twenty.

Alvarado-Juarez: A contemporary mythologist "par excellence"

Francisco Alvarado-Juarez's large-scaled installations are an hallucinatory experience.

By SUYAPA CARIAS

TEGUCIGALPA -- Through his unique, eclectic artistic style, Francisco Alvarado-Juarez is leaving a deep mark in contemporary art through his successful attempt to create awareness about the fragility of nature and ecology.

Born in the port city of Tela on the northern coast of Honduras, Alvarado-Juarez moved to New York City at the age of 14. After studying fine arts and photography, he held his first exhibit in 1976.
Today, his photographs, paintings and "installations" have been displayed in more than 70 exhibits around the world. Of these exhibits, 28 have been dedicated exclusively to Alvarado-Juarez's works.

Alvarado-Juarez, who has a master's degree in Fine Arts from the Maryland Institute College of Art, spoke about his most recent, current and future projects during a brief visit to Honduras in August.

HALLUCINATORY EXPERIENCE
His last solo exhibition, titled Canto a la Fauna: Parts One and Two, took place earlier this year at the Everson Museum of Art in Syracuse, New York. Once again, Alvarado-Juarez's original proposal captivated the eyes and minds of the public.
In the section called New York Trophies, Alvarado-Juarez presented a dozen acrylic paintings of endangered animals native to North America, such as the bison and reindeer. Part of his 90s production, these portraits are "...painted with impastoed, pointillist marks of vivid hue," says Thomas Piché Jr., senior curator of the Everson Museum of Art, in a brochure made especially for the exhibit.
"Each irregular plane is further altered into jigsaw puzzle-style sections, where the shape of the cuts echoes the sinuous forms of the depicted animals...," adds Piché Jr.

The other part of the exhibit consisted of one of his acclaimed three-dimensional installations. Displayed along the entire gallery space, Fauve New York was a vibrant integration of several elements dominated by more than 4,000 recycled paper shopping bags pasted over the 25-feet tall walls.
The bags were first cut and painted by hand to take the form of colorful, living "tentacles." Fifty bright, large paintings with images of different animal species interspersed among the bags, as well as sand, shells and other debris spread around the floor, completed the work.

As a result, viewers were able to immerse themselves into a totally different environment. Suddenly, the spectator experienced the feeling of standing in the middle of a tropical forest, inside an ocean cave, or of a humid, hallucinatory atmosphere.

"The installation is intended to pull people a little below conscious thought, to a place where it's possible to simply stand in the room and enjoy everything one sees," wrote art columnist Carl Mellor of the Syracuse Times.

ECOLOGICAL MESSAGE
In fact, Alvarado-Juarez wants people to see and feel the exuberance of nature in his work, "but I wish them to understand at the same time that the ecological balance is ephemeral and must be protected now, before nature is only a myth."

The idea of the supermarket bags, which has become his very own seal, came to Alvarado-Juarez's mind in 1992. "By cutting and painting the bags I add life to them, they become a living, organic materia... they emerge from the walls as moving tentacles," he explained.

"I started with 800 paper bags. With time, installations have become bigger and bigger. But I'm still using some of the bags I made in '92. They have traveled around the world with me," he said.

In La mitología de la flora y la fauna held last year at the Pablo Serrano Museum in Zaragoza, Spain, the installation took over a space equivalent to half a block.
In a full color brochure presented at that time, Leticia Roa Nixon said: "the erudite writer Joseph Campbell, one of the renowned authorities of world mythology, has said that artists are the counterparts of ancient mythtakers; by painting the walls they fulfill their rituals... If the function of an artist is to mythologize his environment and the world, Francisco Alvarado-Juarez is a contemporary mythologist 'par excellence.'"

Alvarado-Juarez teaches Spanish and Arts in Manhattan's school system. Currently, he is working on a special project at the Metropolitan Museum of New York City and he is preparing his next exhibit that will be held in Oaxaca, Mexico.

 

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The Maya Calendar
A guide to the best in Honduran culture

CULTURAL EVENTS  

PANAMANIAN PAINTINGS -- OCTOBER 4 -- The Hotel Real Intercontinental in Tegucigalpa will be host to an exhibit of paintings by Panamanian artists sponsored by Botticelli's art gallery and the Honduran Institute of Interamerican Culture (IHCI).

CENTRAL AMERICAN THEATER SHOW -- OCTOBER 8, 11-17 -- The Sweden Cooperation Agency and the Ministry of Culture are sponsoring the play, La Historia del Pequeno Senor, to be performed by Central American citizens. The show is coordinated by the Unga Rinks Swedish national theater. The first performance will be on Oct. 8 at the Manuel Bonilla National Theater in Tegucigalpa. From Oct. 11-17, the play will be performed in different cities and communities around the country as part of the group's Central American tour. More information at 221-3928.

COMEDY -- THROUGH OCTOBER 6 -- Teatro Reforma in Tegucigalpa is hosting performances of the comedy, Ahora no...querida, by English playwright Ray Cooney, Thursdays, Fridays and Saturdays at 7:30 p.m. The comedy is directed by Alonso Baires. Admission is Lps. 50. More information at 236-6403.

FLUTE AND GUITAR CONCERT -- SEPTEMBER 28 -- The German Cultural Center will present a concert by Isabelle Hibon (flute) of France and Jorge Elvir (guitar) of Honduras at 7 p.m. More information at 237-1557.

JAZZ CONCERT -- OCTOBER 8,10 -- The Eric Byrd Trio of the United States will give a jazz concert on Oct. 8 at the Manuel Bonilla National Theater in Tegucigalpa at 7:30 p.m., on Oct. 10 at the Champa Swinford in La Ceiba at 7:30 p.m., and on Oct. 11 at the Centro Cultural Sampedrano at 8 p.m. 

CLUB BUNUEL -- Cafe Paradiso in downtown Tegucigalpa presents a film Tuesdays at 7 p.m., followed by a discussion with members of the Cine Club Bunuel and Cafe Paradiso. Information at 237-0337.

FINE ARTS SCHOOL -- THROUGH SEPTEMBER 29 -- The National School of Fine Arts is holding admission tests for young people who want to pursue a career in fine arts and graphic arts in Tegucigalpa. The test costs Lps. 50 per applicant. The school is open from 8 a.m. to noon and from 1 p.m. to 4 p.m. More information at 222-8583.

DANCE SCHOOL -- The Danza Libre foundation invites children and adults to join their new dancing school in Tegucigalpa and learn different kinds of dances. Each course costs Lps. 300. More information at 232-7697, 232-6778.

ART COURSES -- The Mujeres en las Artes Association offers special art courses for children: "A space for creativity", "A world of colors" and "Children's ceramics." Adults can also learn about ceramics, drawing and painting. More information at 221-0697.

LITERARY SPACE -- WEDNESDAYS -- Cafe Paradiso in downtown Tegucigalpa is now offering "Ateneo Literario," a space for poetry reading every Wednesday at 5 p.m. More information at 237-0337.

INSTANT POETIQUE -- THROUGH SEPTEMBER 28 -- The Embassy of France, the Ministry of Culture and the French Alliance are sponsoring a poetry contest titled Instant Poetique. All works must be submitted no later than Sept. 28. First prizes is Lps. 5,000. More information at 239-6164.

FESTIVALS

TEGUCIGALPA CARNIVAL -- SEPTEMBER 29 -- The residents of Tegucigalpa will celebrate the city's anniversary with the Arranque 2001 Carnival. That night, six stages will be set up along Boulevard Morazan for national and international entertainers. In addition to the concert, there will be a colorful float parade with the participation of nearly 15 schools. A series of activities will take place at the Central Plaza during the day.

ENVIRONMENTAL FAIR -- SEPTEMBER 28-30 -- The Ministry of Culture and the Pro-Fair Committee of Intibuca invite the public to the first Intibuca Environmental Fair. The event, which will take place at the central park of La Esperanza, will allow organizers to train residents and visitors in the creation of collective greenhouses, the recycling of industrial waste, treatment of natural water sources and other important issues. Intibuca department is located in western Honduras. 

SANTA LUCIA FAIR -- SEPTEMBER 30 -- The students of the Central American Technological University (UNITEC) will hold an expo-sale of traditional products, food and flowers at the picturesque village of Santa Lucia, Francisco Morazan. Folk dances and marimba groups will make the day more enjoyable.

TRADITIONAL GAMES FESTIVAL -- OCTOBER 3-5 -- The Mujeres en las Artes organization will hold its first traditional games festival to take place at the Alvaro Contreras School and the facilities of the Foundation for the Museum of the Honduran Man in Tegucigalpa. More information at 221-0697.

CIVIC ACTIVITIES -- THROUGH OCTOBER -- The members of the Interinstitutional Civic Committee invite the public to participate in their Cultural Festivities Agenda. For more information, call the Ministry of Education, tel. 222-1374 or the Ministry of Culture, tel. 221-3928.

FRENCH ALLIANCE IN TELA -- The French Alliance has opened its new facilities at the Casa de la Cultura of Tela, Atlantida. More information at 239-6164 (Teg.) or 448-1292 (Tela).

RURAL TOURISM -- The Pan American Agricultural School at Zamorano in the Yeguare region, east of Tegucigalpa, offers tours of the college campus, nearby colonial towns, an agrotouristic farm and other interesting activities. For more information, contact Sobeyda Alvarez at tel. 776-6062, e-mail: salvarez@zamorano.edu.hn

CLUBS

FAMILIES ANONYMOUS -- Meetings are held Tuesdays at the Union Church in Tegucigalpa at 7:30 p.m. More information at 239-9779.

AL-ANON FAMILY GROUPS -- For relatives and friends of problem drinkers. Groups meet Saturdays and Sundays in Tegucigalpa. More information at 239-2698 (Spanish) and 226-6576 (English).

NARCOTICS ANONYMOUS -- Meetings are held in Spanish in Tegucigalpa and San Pedro Sula. For more information, call the organization's hotline numbers: (Teguz) 993-5188, (SPS) 989-2852.

ENGLISH SPEAKING WOMEN'S CLUB -- ESWC meets every month on the second Thursday at the Hotel Honduras Maya in Tegucigalpa at 2:30 p.m. More information with Adrienne Cosenza at 211-8842.

HONDURAN-FRENCH ASSOCIATION -- The French Alliance in Tegucigalpa invites the public to join the Honduran-French Association. More information at 239-6164.

MUSEUMS & GARDENS

TEGUCIGALPA 

MUSEO DE HISTORIA REPUBLICANA

The Museum of Republican History is located at the Villa Roy building in Tegucigalpa's Barrio Buenos Aries.  It is open 8:30 to 3:30, Tuesdays through Sundays and features portraits, paraphernalia, and other interesting items from past presidents.  Admission is Lps. 20 for non-resident foreigners and Lps. 10 for Hondurans and Central Americans.  For more information, call 222-3470 or 222-1468. 

CENTRAL BANK MUSEUM

The Central Bank of Honduras located at the Comayaguela annex building is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.  It has a permanent coin and painting exhibit.  For special presentations, call the Emision y Tesoreria department at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] 

NATIONAL ART GALLERY

The Galeria Nacional de Arte features rock art, pre-Columbian ceramics, colonial paintings, religious art and a wide selection of 20th century Honduran painters.  The gallery is located at the Plaza de la Merced in downtown Tegucigalpa.  It is open Tuesday through Saturday from 10-5 p.m. and Sunday from 10-2 p.m.  Admission is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students and Lps. 1 for children accompanied by adults. 

IGUANA FARM

The Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public to come and learn everything about iguanas.  Admission is Lps. 5 for adults, Lps. 3 for children.  The facility is open every day (except Wednesday) from 9 to 5.  For more information, call 230-6346.

 

COMAYAGUA, COMAYAGUA 

COMAYAGUA MUSEUM OF ARCHAEOLOGY

Located in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua Museum of Archaeology is in the building that served as the seat of government in the 19th century.  Exhibits include prehistoric fossils, cave art, ceramics, and objects used by indigenous cultures during the pre-Colombian era.  The museum, which also has a small library, is open to the public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. 

COMAYAGUA RELIGIOUS MUSEUM

Located in the Casa Cural in front of Comayagua's cathedral, this museum features religious paintings and objects dating back to the 16th century.  Hours are 8-12 and 2-4 p.m., Mondays through Fridays.  For more information, contact Leonardo Letona at 772-0348.

 

LA PAZ, LA PAZ 

LA PAZ HOUSE OF CULTURE

The La Paz Casa de la Cultura is located in downtown La Paz.  It features an attractive exhibit of the Lenca handicrafts and culture.  It is open Mondays through Sundays.

 

SAN PEDRO SULA, CORTES 

SPS MUSEUM OF ANTHROPOLOGY AND HISTORY

The Museo de Antropologia e Historia de San Pedro Sula features exhibits on the development of Sula Valley, from 1500 B.C. to the middle of this century.  The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays and 9 a.m. to 3 p.m. on Sundays.  Admission is Lps. 10 for adults, Lps. 5 for students and children under 12, and Lps. 2 for senior citizens.  For more information, call 557-1496/557-1798 or fax 557-1874. 

MUSEUM OF NATURE OF SAN PEDRO SULA

Sponsored and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this new museum was inaugurated last December in its current location at the Biocentro on 3 Avenida and 9 Calle Noroeste.  It has 24 exhibits on the environment, natural resources and biology of Honduras.  Hours are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.  Admission is Lps 5 for students from public schools and Lps. 10.00 for everyone else.

 

YUSCARAN, EL PARAISO 

YUSCARAN HOUSE OF CULTURE

Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli.  It is open Mondays through Saturdays.

 

OLANCHO 

PECH CULTURAL CENTER

The Pech have built a small house in El Carbon, Olancho to display their modern handicrafts.  An exhibit of archaeological finds in the area is planned.  You can ask to see the collection and/or get a tour of a Post Classic era fortified site.  The Pech Cultural Center also offers medicinal plant tours, nature hikes, Pech dinners, etc.  There is no admission fee to the cultural center.  Hours: If you ask, they will open it.

 

COPAN 

COPAN ARCHEOLOGICAL MUSEUM

Located in the village of Copan Ruinas, Copan department, the museum exhibits a splendid assortment of Mayan pieces that have been found in the Copan Ruins Archaeological Park just 1 km away.  

LA PUENTE ARCHAEOLOGICAL MUSEUM

Featuring a sizeable collection of Mayan handicrafts and photographs as well as a room with Japanese antique ceramics, this museum is located at the El Puente Archaeological Site, about an hour's drive from Copan Ruinas. 

MAYAN SEPULTURAS MUSEUM

Inaugurated in 1996, this is the premier Mayan museum in the Mundo Maya, featuring the finest examples of Copan's tombs, sculptures and architecture.  Located at the Copan Ruins Archaeological Park, the museum is open Monday through Sunday.

 

TELA, ATLANTIDA 

LANCETILLA BOTANICAL GARDENS

Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America.  It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays.  There is an admission charge.

 

LA CEIBA, ATLANTIDA 

TROPICAL BUTTERFLY FARM

The Tropical Butterfly Farm & Gardens of La Ceiba is open to the public Wednesday to Sunday, 8 a.m. to 4:30 p.m.  The farm is located at The Lodge at Pico Bonito in the village of El Pino, about 25 minutes west of La Ceiba.  Admission is Lps. 30 for adults, Lps. 15 for children and $6 for international visitors. 

BUTTERFLY AND INSECT MUSEUM

Thousands of butterflies and insects from Honduras and 18 other countries are on display in La Ceiba' private Butterfly and Insect Museum.  It is located in Colonia El Sauce, 2nd etapa, casa G-12.  Visiting hours are 8-12 and 2-5, Monday through Saturday.  The museum is closed Wednesday afternoon.  Fees are Lps. 15 for adults and Lps. 10 for students.  Tel. 442-2874, e-mail: rlehman@ns.gbm.hn

 

TRUJILLO 

TRUJILLO RUFINO GALAN MUSEUM

A private museum which has a memorabilia section, old chairs, anchors, silverware, beds of famous people locally.  There is an industrial archaeology section on how lights, axes, stoves, sewing machines, typewriters have changed over time.  They have a good collection of Garifuna handicrafts and the best collection of NE Honduras archaeological pieces -- all unmarked.  A written guide to the museum is available at the Trujillo Tourism Office in English and Spanish.  The museum is open 8 to 4, closing for lunch.  Adults Lps. 20, children Lps. 10.  Located on Calle 18 de Mayo, next to the Crystales River and the famous "piscina" or pool, about a 15-minute walk out of town.

 

ROATAN, THE BAY ISLANDS 

CARAMBOLA BOTANICAL GARDENS

The private Carambola Botanical Gardens and Nature Trails is located in Sandy Bay, Roatan, Bay Islands.  A wide variety of exotic plants is featured here, including "Roatan's most extensive orchid collection."  It is open daily from 7 a.m. to 5 p.m.  For more information, call 445-1117 and ask for Bill or Irma Brady. 

BAY ISLANDS MUSEUM

A private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands, it mostly includes archaeological pieces, but there is a small section on the modern Bay Islanders.  Museum admission is included in the cost of the dolphin show at Anthony Key's Institute of Marine Sciences.  Small buses or taxis will take you to Sandy Bay from most Roatan towns.

 

The Maya Calendar is a public service for our readers.  If you would like to announce an event taking place in Honduras, please send the information to: Calendar Editor, Honduras This Week, Fax 232-2300, e-mail: hontweek@hondutel.hn

Monday, September 10, 2001 Online Edition 35

Honduras squeaks by Jamaica

An own goal by Christopher Dawes of Jamaica early in the second half was enough to give the national soccer team their second straight victory and keep alive Honduras' hopes of qualifying for the 2002 World Cup. The key soccer match was played in Tegucigalpa's National Stadium on Wednesday (Sept. 5).

Despite controlling the ball for much of the game, Honduras' strikers were unable to take advantage of numerous scoring opportunities in part due to the outstanding play of goalie Aaron Lawrence and the tight Jamaican defense, leading many soccer fans to think the match might end in a scoreless tie.

However, the fans' suffering ended at the 53rd minute when a pass by Milton Nunez into the box was deflected by Dawes into the Jamaican goal for the match's only score.

With the triumph, Honduras has moved into second place in the standings behind Costa Rica, which qualified for the World Cup with their 2-0 victory over the United States in San Jose.

Honduras needs 4 points in their remaining two matches against Trinidad and Tobago at home (Oct. 7 in San Pedro Sula) and Mexico away (Nov. 11 in Mexico City) in order to clinch one of the two remaining berths. Honduras currently has 14 points, followed by Mexico and the United States with 13 points.

Meanwhile, the United States must win their final two games against Jamaica and Trinidad and Tobago in order to qualify. The U.S. team has now lost three straight matches -- including a stunning 2-3 loss to Honduras at home -- after finishing the first round unbeaten.

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