| Monday, September 27, 2003 Online Edition 38 | |||
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By ALEJANDRA PAREDES L “Beautiful, indolent, graceful, Tegucigalpa there peeks, Like a dove’s nest, on a flowered branch”. In these verses, poet Rafael Heliodoro Valle honors Tegucigalpa’s beauty and the loftiness of its mountains, 3000 ft above sea level. He was inspired by the cool weather in the forest covered hills surrounding the city at the beginning of the 20th Century. This unique beauty inspired many poets, but time has altered it in so many ways. Real de Minas de San Miguel de Tegucigalpa, as the city was originally called, was founded September 29, 1578. Its inhabitants never imagined what it would be like 425 years later. After all, Taguzgalpa-Lenca for “Silver Hills”-was only one of dozens of small mining settlements scattered in the Honduran mountains. It was a mining town and was never intended to grow into a city, according to Spanish urban projections. Yet it was to become much more than just a colonial settlement hidden in a mountain range. However, that small town eventually replaced Comayagua as the capital of Honduras. Founded in 1537 by Alonso de Caceres in a large, flat, fertile valley, Comayagua was better suited for a capital than the rugged highlands around Tegucigalpa, where the clay terrain still makes building difficult. Nevertheless, strange twists of fate dictated that Tegucigalpa would be the capital of Honduras. In 1880, President Marco Aurelio Soto moved the capital to Tegucigalpa. Legend says that his actions followed a suggestion from his wife, who was from Tegucigalpa and did not get along with Comayagua society. The historical consequences of this decision make Tegucigalpa a unique city. A city that remains difficult to reach because of the mountains that surround her. A city that is hard to live in because of limited water supply, and other geological considerations that affect transportation and construction. It is also a city that has indeed suffered for many causes, human and natural. The devastation of hurricane Mitch in 1998 left a mark still visible today. And continuing disorderly migration from the countryside makes it a complex place to live and work. In spite of this, Tegucigalpa is an interesting city. It is filled with secret and wonderful places like Villa Roy and the Cristo del Picacho. It is surrounded by pine tree forests and rainforests, like El Hatillo and La Tigra. It is located near beautiful mountain settings like Santa Lucia and Valle de Angeles. “Tegus” as its inhabitants call it, stands firm in the face of adversity. As Tegucigalpa grew into maturity, it developed its own flavor. It is sometimes sweet like the ‘Semitas’ and ‘Pan de Yema’, typical local breads. But it can also be as bitter as the strong, rich coffee that is brewed in its kitchens. The city met the 21st Century having assumed a new role as a hostess, sporting a good number of comfortable hotels to greet her visitors. But the dawn of the new century also brought social and urban problems to challenge the people who live here. The city’s cobblestone streets and unique colonial spots deserve to be taken care of. The beauty of surrounding mountains must be protected. Above all, Tegucigalpa’s children need protection, as so many of them live in deplorable circumstances. They are the ones that one day will inherit this place. Only in their hands will Tegucigalpa become a better place to live. htw6 Tegucigalpa’s Metropolitan Cathedral is a fine example of colonial architecture. Like Sean Connery in “Finding Forrester” By JORGE GALLARDO RIUS In a controversial letter to the Editor, which appeared in Reader’s Forum, W.E. Gutman stated that “culture breeds culture.” True in many respects, but the statement, however, needs clarification. It is not a lifelong sentence to uncultured darkness for those unfortunate enough to have been born into poor, uneducated families. And, it’s certainly not a privilege of the few moneyed people because, as Mr. Gutman points out, we’ve all met “rich dunces.” If it’s true that “culture breeds culture,” it must therefore mean that somewhere along the path of life, the uncultured child, rich or poor, met one or more mentors who influenced him/her to advance their learning and acquire a broader culture. When Mr. Gutman states that “lousy” teachers are no excuse for mal-education, that’s where he’s wrong. Family members, like his grandfather, are not the only source of inspiration to develop a cultured mind. The more good teachers we have in schools, the better chances we have of advancing knowledge and culture in youths, with or without help from their families. It is therefore gratifying to see events, such as the Fifth Annual Book Fair held this week at the Universidad Pedagogica Nacional (UPN). The event is designed to promote reading in the next generation of teachers. Participating bookstores are required to sell at discounted prices, assuring attendants, mostly students, that they are receiving the best prices available. But the Fair is also a broader cultural event. It includes open-air movies, concerts, book signings, plays, poetry recitals and dance troupes. The weeklong event, currently in progress, is an attempt to form many cultured teachers that can multiply the passion for intellectual discovery in many more students. Another of the Fair’s objectives is to promote the battered book industry, which is an important source of support to writers, scientists, researchers, and educators in Honduras. But “talking the talk” of educational reform and “walking the walk” are two different things. Dr. Nitida Carranza, is the Director of Educational Technology at the UPN and organizer of this event. The Department of Educational Technology at the UPN encompasses three main areas: (1) the library system, (2) multimedia and applied technologies, and (3) the digitalization of printed materials. Caught in the crossfire of activities relating to the Book Fair and end of year budgeting deadlines, on top of her regular administrative activities, she kindly took time to discuss the current situation of the public education system. “I think there is an urgent need that the persons conducting national educational policies focus on critical thinking,” Dr. Carranza said. “They must create educational programs based on the idea that ‘learning-to-learn’ is how people understand, solve problems, create, and produce in the real world and that’s what we must teach.” She was well informed about the COHCYT telecenters project (pay attention, Copan), which she compared to the Banadesa (National Agrarian Bank) loans of several years ago and currently have broken the institution. “They gave loans to the farmers for technology investments, but didn’t tell them how to do it.” The same thing is going on with these projects. “I think that the Telecenters projects are a great educational alternative for Honduras, but the key is to give strategic and methodological training to the persons who will manage and operate these centers. That’s the only way to make them sustainable. Above all, the educational content must be well defined.” We had time for a coffee at one of the kiosks in the University and watched people visit the bookstands. “Please tell everyone to come to the Book Fair. They’ll have fun, enjoy the cultural events, and find books about all conceivable topics,” said Dr. Carranza, before returning to her regular duties. Send comments to: jgallardo515@yahoo.com ![]()
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| CULTURAL EVENTS ART SCULPTURE EXHIBITION -THROUGH SEPTEMBER- A collection of 40 works by the well known artist Gustavo Armijo called “Bodies between space, time and love” is being displayed at the Honduran Institute of Hispanic Culture in Colonia Lomas de Guijarro. The sculptures focus on the human figures of both men and women and their relationship. Entrance is free. For more information, call 235-4463. SCULPTURE EXHIBITION - SAN PEDRO SULA - BEGINNING OCTOBER 30 - The same exhibition as detailed above will move to the Center for Culture in San Pedro Sula from October 30. Check Center for closing date. For more information, call 553-3911. ART EXHIBITION - SAN PEDRO SULA - OCTOBER 9 - 24 - The Center for Culture in San Pedro Sula and the Ecuadorian Embassy present a exhibition of the work of Ecuadorian Miguel Betancourt. The display can be seen in the Center for Culture between October 9 and 15. Entrance is free. For more information, call 553-3911. PAINTING EXHIBITION - THROUGH OCTOBER 30 - A collection of 39 drawings by Johanna Montero is being sponsored by the Women in the Arts. The collection draws inspiration from a book of poetry published in Brazil. It is taking place at the Office of Women in the Arts (Mujeres en las Artes), Avenida Miguel Cervantes, in Tegucigalpa. The display is open from 9 a.m. - 5 p.m. and admission is free. For more information, call 222-3015. PAINTING AND SCULPTURE EXHIBITION - SEPTEMBER 23 - OCTOBER 7 - The Honduran Institute of Inter-American Culture presents “Let’s get to work”, a collection of the paintings and sculptures by Johnny McDonald. Admission is free. For more information, call 222-0703. PAINTING EXHIBITION - SEPTEMBER 25 - OCTOBER 10 - Galeria Trios in Colonia Matamoros presents a collection of the paintings of Armando Vasquez. The collection opens to the public on September 25 and will run for the next 15 days. Admission is free and the gallery is open between 10 a.m. and 6 p.m. For more information, call 221-3293. THEATER COMEDY - THROUGH OCTOBER 4 - The Arteatro theater company presents the comedy titled “Vamos a contar mentiras” by Alfonso Paso, under the direction of Honduran Carlos Rodriguez Franco. The play is about a wife who lies to her husband, only to find he does not believe her when she is telling the truth about something important. It is showing at the Renacimiento Theater in Plaza Millenium, Col. Tiloarque, Tegucigalpa. Showtime is Fridays at 8 p.m., and Saturdays at 5 and 8 p.m. General Admission is Lps. 70.00. More information at 225-5517. PLAY - OCTOBER 1 - 12 - The Compania Teatral La Sociedad presents “Jugando al doctor” (Playing Doctor). It will be shown in the Reform Theatre, Colonia Reforma, main street, on Thursdays, Fridays and Saturdays through September, at 7-30 p.m. Tickets cost Lps. 60.00. For more information, call 236-6403. FAMILY PLAY - OCTOBER 1 - The Manuel Bonilla Theatre, located in the center of Tegucigalpa opposite the Parque Herrera, presents a family theatre show. The play will begin at 7 pm. Call 221-3928 and speak to the Ministry of Culture for more details. PLAY - OCTOBER 2 - The foundation San Juancito presents a play, “Posada de Mantua,” to be shown at the Manuel Bonilla Theatre, located in the center of Tegucigalpa opposite the Parque Herrera. The play will begin at 7 pm. Call 221-3928 and speak to the Ministry of Culture for more details. MUSIC & DANCE DIXIELAND JAZZ - OCTOBER 2 - Café La Plazuela will host a concert by Honduran Jazz Ensemble on October 2 at 7 p.m. Entrance is Lps. 50.00 for adults and Lps. 25.00 for students. For more information, call 237-0501. SYMPHONIC ORCHESTRA CONCERT - OCTOBER 17 - The National Symphonic Orchestra of Honduras will offer a concert at the Manuel Bonilla Theatre, located in the city center opposite the Parque Herrera. The concert will begin at 7 pm and entrance will cost Lps. 50.00, Lps. 25.00 for students and senior citizens. For more information, contact the Orchestra on 220-7206. SALSA MUSIC - SATURDAYS - Tobacco Road in Tegucigalpa’s downtown plays salsa music Saturdays from 6 to 11 p.m. It is located in Barrio La Ronda, in front of Comercial El Millon. More information, call 222-4081 and speak to Tom Taylor. FILM ICARUS FILM FESTIVAL - THROUGH SEPTEMBER - The Icarus Film Festival invites the public to submit entries by September 30. Categories include fiction, documentaries, news, reports, experimental, advertisements, video clips, institutional, animation and TV programs. Entries can be submitted to Terco Productions, Latino Estudio or the Guatemalan Embassy, all located in Tegucigalpa. There is a fee of US$ 5 and all competitors must be Central American. The entries will be judged at the festival, which will be held in Guatemala from November 5 to November 13. LEARNING POETRY CONTEST - The Embassy of France, the Ministry of Culture and the French Alliance are sponsoring the “Victor Hugo Award” Poetry Contest 2003. Participants must submit no less than 20 poems before September 30. The winner earns a Lps. 15,000 prize plus the publication of his work. For more information, call 236-6164, or 236-6800. XATRUCH EXHIBITION - THROUGH SEPTEMBER - The Museum of the History of the Republic is holding a temporary exhibition on the Honduran General Florencio Xatruch. The Honduran Batallion currently stationed in Iraq is named after this General. The museum is located at the beautifully restored Villa Roy in Barrio Abajo, Tegucigalpa. Call 220-6954 for more information. SPORT CENTRAL AMERICAN STUDENT GAMES - OCTOBER 9 - 18 - Honduras is hosting the Central American Student Games for the first time this October. An average of 1,000 - 1,200 students are expected to participate per day. A total of 12 categories are expected to be covered, including football, volleyball, basketball, chess, swimming, martial arts and athletics. The inauguration of the games will take place at 10 a.m. on October 9 at the Coliseum National de Ingenieros on Bvd. Suyapa. Call the Ministry of Culture, Arts and Sport on 221-3928 for more details. WORLDWIDE BOWLING CONTEST - SEPTEMBER 27 - OCTOBER 4 - Planeta Sipango in Residencial El Trapiche, Tegucigalpa, is hosting the AMF Bowling World cup. 86 countries are expected to participate. September 27 is the official practice day. The contest will begin on Sunday 28 and run through the week. The final will be held on Saturday 4 October. Bowling starts at 8 a.m. and finishes at 9.15 p.m. every day except Friday 3, when it finishes at 7 p.m. and Saturday 4 when it finishes at 6 p.m. For more information, call 235-5020. |
MUSEUMS
& GARDENS TEGUCIGALPA MUSEO DE HISTORIA REPUBLICANA The
Museum of Republican History is located at the Villa Roy building
in Tegucigalpa's Barrio Buenos Aries.
It is open 8:30 to 3:30, Tuesdays through Sundays and features
portraits, paraphernalia, and other interesting items from past presidents.
Admission is Lps. 20 for non-resident foreigners and Lps. 10
for Hondurans and Central Americans.
For more information, call 222-3470 or 222-1468. CENTRAL BANK MUSEUM The
Central Bank of Honduras located at the Comayaguela annex building
is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.
It has a permanent coin and painting exhibit. For special presentations, call the Emision y Tesoreria department
at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] NATIONAL ART GALLERY The
Galeria Nacional de Arte features rock art, pre-Columbian ceramics,
colonial paintings, religious art and a wide selection of 20th century
Honduran painters. The
gallery is located at the Plaza de la Merced in downtown Tegucigalpa.
It is open Tuesday through Saturday from 10-5 p.m. and Sunday
from 10-2 p.m. Admission
is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students
and Lps. 1 for children accompanied by adults. IGUANA FARM The
Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public
to come and learn everything about iguanas.
Admission is Lps. 5 for adults, Lps. 3 for children.
The facility is open every day (except Wednesday) from 9 to
5. For more information, call 230-6346. COMAYAGUA,
COMAYAGUA COMAYAGUA MUSEUM OF ARCHAEOLOGY Located
in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua
Museum of Archaeology is in the building that served as the seat of
government in the 19th century.
Exhibits include prehistoric fossils, cave art, ceramics, and
objects used by indigenous cultures during the pre-Colombian era.
The museum, which also has a small library, is open to the
public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. COMAYAGUA RELIGIOUS MUSEUM Located
in the Casa Cural in front
of Comayagua's cathedral, this museum features religious paintings
and objects dating back to the 16th century.
Hours are 8-12 and 2-4 p.m., Mondays through Fridays.
For more information, contact Leonardo Letona at 772-0348. LA
PAZ, LA PAZ LA PAZ HOUSE OF CULTURE The
La Paz Casa de la Cultura
is located in downtown La Paz.
It features an attractive exhibit of the Lenca handicrafts
and culture. It is open
Mondays through Sundays. SAN
PEDRO SULA, CORTES SPS MUSEUM OF ANTHROPOLOGY AND HISTORY The
Museo de Antropologia e Historia de San Pedro Sula features exhibits
on the development of Sula Valley, from 1500 B.C. to the middle of
this century. The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays
and 9 a.m. to 3 p.m. on Sundays.
Admission is Lps. 10 for adults, Lps. 5 for students and children
under 12, and Lps. 2 for senior citizens.
For more information, call 557-1496/557-1798 or fax 557-1874. MUSEUM OF NATURE OF SAN PEDRO SULA Sponsored
and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this
new museum was inaugurated last December in its current location at
the Biocentro on 3 Avenida and 9 Calle Noroeste.
It has 24 exhibits on the environment, natural resources and
biology of Honduras. Hours
are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.
Admission is Lps 5 for students from public schools and Lps.
10.00 for everyone else. YUSCARAN,
EL PARAISO YUSCARAN HOUSE OF CULTURE
Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli. It is open Mondays through Saturdays. OLANCHO PECH CULTURAL CENTER The
Pech have built a small house in El Carbon, Olancho to display their
modern handicrafts. An
exhibit of archaeological finds in the area is planned.
You can ask to see the collection and/or get a tour of a Post
Classic era fortified site.
The Pech Cultural Center also offers medicinal plant tours,
nature hikes, Pech dinners, etc.
There is no admission fee to the cultural center.
Hours: If you ask, they will open it. COPAN COPAN ARCHEOLOGICAL MUSEUM
Located
in the village of Copan Ruinas, Copan department, the museum exhibits
a splendid assortment of Mayan pieces that have been found in the
Copan Ruins Archaeological Park just 1 km away.
LA PUENTE ARCHAEOLOGICAL
MUSEUM Featuring
a sizeable collection of Mayan handicrafts and photographs as well
as a room with Japanese antique ceramics, this museum is located at
the El Puente Archaeological Site, about an hour's drive from Copan
Ruinas. MAYAN SEPULTURAS MUSEUM Inaugurated
in 1996, this is the premier Mayan museum in the Mundo Maya, featuring
the finest examples of Copan's tombs, sculptures and architecture.
Located at the Copan Ruins Archaeological Park, the museum
is open Monday through Sunday. TELA,
ATLANTIDA LANCETILLA BOTANICAL GARDENS Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America. It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays. There is an admission charge. LA
CEIBA, ATLANTIDA TROPICAL BUTTERFLY FARM The
Tropical Butterfly Farm & Gardens of La Ceiba is open to the public
Wednesday to Sunday, 8 a.m. to 4:30 p.m.
The farm is located at The Lodge at Pico Bonito in the village
of El Pino, about 25 minutes west of La Ceiba.
Admission is Lps. 30 for adults, Lps. 15 for children and $6
for international visitors. BUTTERFLY AND INSECT MUSEUM Thousands
of butterflies and insects from Honduras and 18 other countries are
on display in La Ceiba' private Butterfly and Insect Museum.
It is located in Colonia El Sauce, 2nd etapa, casa G-12. Visiting hours are 8-12 and 2-5, Monday through Saturday.
The museum is closed Wednesday afternoon.
Fees are Lps. 15 for adults and Lps. 10 for students.
Tel. 442-2874, e-mail: rlehman@ns.gbm.hn TRUJILLO TRUJILLO RUFINO GALAN MUSEUM A
private museum which has a memorabilia section, old chairs, anchors,
silverware, beds of famous people locally.
There is an industrial archaeology section on how lights, axes,
stoves, sewing machines, typewriters have changed over time.
They have a good collection of Garifuna handicrafts and the
best collection of NE Honduras archaeological pieces -- all unmarked.
A written guide to the museum is available at the Trujillo
Tourism Office in English and Spanish.
The museum is open 8 to 4, closing for lunch.
Adults Lps. 20, children Lps. 10.
Located on Calle 18 de Mayo, next to the Crystales River and
the famous "piscina" or pool, about a 15-minute walk out
of town. ROATAN,
THE BAY ISLANDS CARAMBOLA BOTANICAL GARDENS h
located in Sandy Bay, Roatan, Bay Islands.
A wide variety of exotic plants is featured here, including
"Roatan's most extensive orchid collection."
It is open daily from 7 a.m. to 5 p.m.
For more information, call 445-1117 and ask for Bill or Irma
Brady. BAY ISLANDS MUSEUM A
private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands,
it mostly includes archaeological pieces, but there is a small section
on the modern Bay Islanders.
Museum admission is included in the cost of the dolphin show
at Anthony Key's Institute of Marine Sciences.
Small buses or taxis will take you to Sandy Bay from most Roatan
towns. |
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| Monday, September 22, 2003 Online Edition 37 | |||
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The “S” Word Comes After San Ramón
Arun, Subbiah Arunachalam, of MSSRF says, “If we start with
the idea of reaching out to the poorest of the poor, it will be unrealistic
to expect to reach a stage of financial viability in a few years. There will
have to be some element of subsidy.” Notice that these projects do not bear
fruits overnight. The Foundation has supported the Knowledge Centers for 6
years.
What Alfred and Arun are telling us is that you must have
lesson plans and teaching materials ready and that you must have people to
deliver them. In Arun’s project, the Foundation trains local personnel to
manage and operate the Centers. Alfred Bork of UCI has many community
learning activities that can be implemented in a telecenter.
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| Monday, September 15, 2003 Online Edition 36 | |||
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Garifuna, Huairou women fight for the
rights of their community
By ROSIBEL GUTIERREZ
By PETER SIMON
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The Effect of Computers on Student Writing
The study was conducted by the Journal of Technology, Learning
and Assessment (JTLA), a free online publication of the Lynch School of
Education in Boston College, compared paper-and-pencil writing to computer
writing in K-12 students.
Quantity of writing was easily measured using word counts,
number of sentences and the average length of clauses. Revisions were
measured using the amount of insertions, deletions and overall changes made
to the documents.
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| Monday, September 8, 2003 Online Edition 35 | |||
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Garifuna Huairou Women Fight for the rights of their community
Dynamic new face of politics in Copan Ruinas favors education
and technology
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Plato's Cave
I grant you that malnutrition in public schools is a problem
and we applaud the efforts to support the school meal. But malnutrition
doesn't explain half the problem and as long as we are blind to the real
problems in the public education system, we won't be able to solve them.
Before presenting it however, we want to clarify that the
tests to Honduran children were not based on international standards but on
the Honduran standards, called "Rendimientos Basicos". These standards were
devised in 1993 and, as standards, have held up well through time. A team of
experts was brought in to prepare the tests. The statistics were produced by
UMCE, a unit dedicated to measuring the quality of education that works out
of the National Pedagogic University.
In this first data set, we present the results of the Spanish
language tests categorized according to "Type of School Administration".
Three types of administrations were identified: |
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| Monday, September 1, 2003 Online Edition 34 | |||
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Many adopted children don’t have access to information
about their pre-adoption past, but Danny’s parents, Barry and Rena Jacobson,
were always open with him and provided help in finding out about his birth
family. However, the company through which they adopted their son had a
policy of keeping the child’s background from them. When Danny’s mind became
inquisitive enough to want to know about his biological parents, the
Jacobson’s did everything possible to track them down. What followed was to
become a remarkable story.
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