Honduras This Week Online National News
Your Central American Weekly Review. Member of the Central American Press Association.

Honduras This Week - Opinions and EditorialsHonduras This Week National NewsCentral American NewsTravel & Tourism in HondurasHonduran Culture
Environment in HondurasHonduran Business and EconomicsPrevious Issues of Honduras This Week OnlineAbout Honduras This WeekClassifieds Advertising for Honduran Businesses

PEOPLE & CULTURAL

Beautiful Apart-Hotel in Tegucigalpa's finest neighborhood.
Beautifully appointed suites with high-bandwidth internet access, desk, safe, 3 direct-dial telephones, bar and kitchenette with fully equipped pantry in each room. 

Monday, March 27, 2006 Online Edition 11

Cheeseburger in Paradise


Graphics/Honduras This Week
“I like mine with lettuce and tomatos, Heinz 57 and French fried potatos,” sang Jimmy Buffet.

Immortalized in the lyrics of a popular song by Jimmy Buffet, "medium rare with an onion slice", "I like mine with lettuce and tomato, Heinz 57 and French fried potatoes". One of my classmates in chef school left the rat race of 80 hour work weeks with a large hotel company to become the personal chef for a well known Hollywood celebrity. The movie star loved his cheeseburgers and where money was no object, my chef buddy would keep a stock of well marbled certified angus beef sirloin strip steaks on hand (about $14 per pound at the time) and proceed to grind the steak into a hamburger patty and cook it on the grill. Burger status is heating up on the restaurant scene where the $10-$20 burger is commonplace on the menus of many upscale steakhouses in the US; but the ultimate burger expense goes to The DB Bistro Moderne in NYC that has a truffle sirloin burger on its menu for whopping $99.

The key to a great hamburger is the proper ratio of good quality sirloin to beef fat, which can be a significant challenge here in Honduras. The locally produced beef is typically very lean and the quality of the beef fat is not suitable for great burger. The ideal ratio is 82% sirloin to 18% fat with Iowa corn fed beef fat as my first choice. However, due to the limited availability of locally produced sirloin and good quality beef fat I am going to suggest a suitable option. I will buy the best available ground beef, usually the 85% beef, 15% fat and enhance the flavor with a compound butter.

For the hamburger, I will typically flavor the butter with fresh ground black pepper, Worcestershire sauce, fresh parsley and a touch of a commercial seasoning salt (no MSG). The butter is softened and all the ingredients are mixed together, then the softened butter is molded into a 2" diameter long tube shape, wrapped in foil and frozen. Now this is the key, because the frozen compound butter will be cut into 1/2"- 3/4" discs and inserted into the middle of the hamburger patty, in essence molding the ground beef around the butter. As the burger cooks, the compound butter melts into the middle keeping the burger moist and medium rare.

Compound Butter

Whole butter approximately 4 oz
Cracked Black  
Pepper 2 teaspoons
Worcestershire  
Sauce 1 teaspoon
Parsley 2 tablespoons, washed, rinsed and chopped fine
Seasoning Salt to taste


Procedure

Soften butter to room temperature, in a small bowl, mix all ingredients, adjust seasoning to taste, form butter on a sheet of foil or wax paper into a 2" diameter tube, wrap in the paper and freeze. Cut frozen butter into dials and insert into the middle of the hamburger patty, I will typically use about 6-8 ounces of ground beef per patty and hand mold the patties about 2" thick. Cook immediately over a hot grill, marking the burger on the hot side and turning only 1 time, allowing the burger to continue to cook to the desired temperature on the cooler side of the grill, and by the way, never press down on the hamburger with your spatula, it releases all the flavor you have worked so hard to achieve. Top with a sharp cheddar cheese and enjoy with a "big kosher pickle and cold draft beer" a cheeseburger in paradise.

Questions or comments?
E-mail Daniel O'Connor at
culinary_adventures@hotmail.com


Tonite's Toast:
Here's to the descendants of Spaniards and of English Pirates, may they drink good rum together and in shameful quantities.

After a month of talk about pirates, I'm almost ready for a break. I told my wife that I was writing another entry on the theme. She gave me a look that would freeze the balls off a brass monkey. There remains, however, one last worthwhile entry-in my opinion.

The question at hand is the stereotypical images that have been bred into Hondurans regarding our fellows in the Bay Islands, and vice-versa. At the risk of stoking the fires of controversy, I think it's an issue that deserves addressing.

In his doctoral dissertation, which I have quoted before for this column, the American anthropologist D.K. Evans states:
"In speaking with Ladinos [of Spanish mestizo descent] on the north coast of Honduras one may occasionally hear the inhabitants of the Bay Islands referred to as los piratas en las Islas de la Bahía ('the pirates in the Bay Islands').

In the summer of 1961 my wife and I met a young Ladino agronomist and his wife at our hotel in La Ceiba, Honduras... When they heard of our immediate plans to board a boat for the islands, the man, apparently very serious, warned us that the islands were not considered a safe place to visit, especially the island of Roatan. He assured us that the people there were of mala sangre (bad character), and were all descendants of cruel, bloody pirates and escaped murderers.

"The islanders, on the other hand, with traditional stories and conventional stereotypes of their own, agree that their islands are infested with a few modern-day 'pirates.' They insist, however, that the latter are to be found only in the offices and uniforms of the 'Spaniards,' or Ladino officials and administrators of the national government...

"This long-standing mutual fear and mistrust of one another has its roots deep in the turbulent history of the area. Specifically, it was from Port Royal on Roatan Island that the buccaneer Van Horne led his bloody and successful raids in the 17th Century against Spanish shipping and settlements in the Bay of Honduras, and it was from the mainland of Guatemala and Honduras that Spanish ships and troops later came to burn the settlements and drive out the English from the islands of Roatan and Bonnacca [Guanaja].


Graphics/Honduras This Week
Cannon balls used to be stacked on a brass contraption called a monkey.


"The implication here is that diverse ethnic origins, historical events, and past grievances have done their share in building and sustaining myths and stereotypes which, even today [1966], promote mistrust and hostility between islanders and Ladinos, and that such beliefs tend to limit sociocultural contacts between the two cultures."

Although more than 30 years have elapsed since Evans wrote this account, and much ground has been covered --insofar as the mutual assimilation of diametrically opposed traditions-- these stereotypes (and not the differences, per se) still effectively present a barrier to growth. Slowly we are coming to terms with the differences, and hopefully they are now looked at more as complementary distinctions. I believe that globalization has had a hand in a change that, lately, has wrought conditions of mutual respect between those people on the mainland and those on the islands. Despite the odd fellow-- more inclined towards tribal behavior than towards maturity-- the majority of us are ready to learn and forge ahead.

Maybe by now we've come to realize that we are merely the children of two old empires that once ruled the world; and that our future has little to do with what language we speak or what our grandparents did for a living. After all, we've had to grow up all on our own-- practically like orphans-- and what we share is still a beautiful corner of the world that deserves looking after. This will be done, together.

Oh, about freezing the balls off a brass monkey... I know what you're thinking so let me explain: on ships of old, cannon balls were stacked on a brass contraption called a monkey; whenever the temperature dipped beyond a certain point, the contracting metal would cause one of the leading cannon balls to fall off.
A sailing present.



Honduran  Paintings

painting

Tegucigalpa 
Monument of Peace
   
A. Luna (D)   1977    Honduras
12 x 10 Painted 1977
Rare

Summer Sale!
See More Painings at
www.honduraspaintings.com

 

CULTURAL EVENTS

ART

WOMEN IN THE ARTS
Mujeres en las Artes. One of the strongest artistic movements in Tegucigalpa. Mujeres en la Artes Leticia de Oyuela constantly sponsors workshops, exhibitions, conferences, art shows and community events in the city. For the complete schedule, log on to www.muaartes.org.hn or contact Veronica Romero at 222 3015.

LITERARY CONTEST 2006, HIBUERAS AWARD.
The French, Spanish and German Embassies, the Ministry of Culture, Arts and Sports invite national writers to participate . Story prose to be considered. For more information: 236-6800 (French Embassy), 231-3161(German Embassy) 239-6164 (French Alliance)

FRENCH-GERMAN WEEK.
On April 22 thru 29. On April 18th the program and activities of this special wee will be presented to the Press at the Clarion Hotel.

TERCO CULTURAL PRODUCTIONS.
Contact them, they always have info on cultural activities. E-mail: tercoproducciones@gmail.com. Visit www.karlalara.com

AFRICAN LEGACY MONTH IN HONDURAS.
April 2006. Organization for Development in the Community. In search of voices that silence the silence. Contact odeco@caribe.hn

CULTURAL ACTIVITIES.
Cafe Paradiso (downtown) is always performing cultural activities. Contact paradiso@cablecolor.hn

“THEATRE PLAY “A BAD DAY II”.
Renacimiento Theatre, Millennium Plaza. March and April. Fridays: 8:00 p.m., Sundays 5:00 and 8:00 p.m. General entrance: Lps. 80.00

CHILDREN’S THEATRE IN HONDURAS, ISIDRO ESPAÑA ART DRAMA SCHOOL.
The inscription is open for painting and drawing, drama, literature, guitar playing at the APH. Classes begin on April 17th, Mondays, Thursdays and Saturdays. For more information 234-0167, 234-8715

PANHISPANIC DOUBTS DICTIONARY .
On March 2nd, the Honduran Academy of Language and the Spain Embassy presented the Dictionary. For more information visit www.rae.es

GUILLERMO ANDERSON DIARY.
March 25 thru 30. Taste and Rhythm from the Caribbean Carnival. March 27th at the Teresa Carreño Center in Caracas, Venezuela and on March 30th at Manuel Bonilla Theatre. For more information contact 238-3289.

INFORMATION ABOUT CULTURAL ACTIVITIES. Contact contacto@rds.org.hn

NATIONAL LIBRARY INSTALLATIONS FOR EVENTS.
These installations are appropriate for book presentations, expositions, conferences and any other cultural events.

VISIT AN EXCELLENT WEB SITE.
The Association Women in the Arts, Aid Center and Visual Arts is inviting you to visit the web site: www.instala.hn. You will find art activities of the different projects.

ACORBAT BRAZIL 2006 CONTEST.
The Scientific Committee of the XVII International Meeting of the Acorbat, Brazil 2006 informs that the inscription is open. Visit www.acorbat2006.org or ryoung@la.dole.com


MUSIC & DANCE

DANCE, THEATRE,PAINTING WORKSHOPS AND READERS CLUB FOR CHILDREN.
Cultural Center for Children in San Pedro Sula. 3 Ave. 12 St. S.O. Paz Barahona neighborhood. Inscriptions until March 31st. Attention schedule: 8:00 a.m. - 12:00 m, I:00 o.m. - 5:00 p.m. . Monday thru Friday.

BAMBU INTERNATIONAL SCENIC ARTS FESTIVAL.
From March 27 thru April Ist. Inauguration on March 27, 7:00 p.m. at Manuel Bonilla Theatre: dance, music, photography. There will be presentations at Renacimiento Theatre, UPN 9:00 a.m., 2:00 p.m., 6:30 p.m. For more information contact 228-1280


OAXACA MUSIC INSTRUMENTS CONTEST, SUMMER 2006.
The Secretary of Culture, Arts & Sports and the Embassy of Mexico invite to participate. For more information contact: verano@instrumento.org or 221-3928 (Culture, Arts and Sports Secretary)

BONFIRE EVENT WITH THE TROVA GROUP “PEZ LUNA” HONDURAS.
At Etnia’s, km 5 1/2 road to Valle de Angeles. March 25th, (;00 p,m,, General entrance Lps. 50.00


SECOND CENTRAL AMERICAN PRESENTATION OF EMERGENT ART.
The Contemporary Art and Design Museum of San José, Costa Rica invites Central Americans and foreign residents in Central America to participate in this event. For more information contact the Cultural Office of the Spanish Embassy, Col. Palmira, Colombia St. Tegucigalpa. Tel: 232-2019; or visit www.madc.ac.cr

THE TREASURE THAT YOU HAVE: EL TESORO QUE TIENES.
The new CD of Guillermo Anderson, produced with the support of the Rio Platano Biosphere Project and the German Cooperation Agency (GTZ). The Misquito artist Juan Cooper is the guest of honor. For information contact 550-3105

SABOR CUBANO.
Come and enjoy the best Latin Rhythms: Salsa, Merengue, and Rumba. Every Friday at Restaurant-Bar: “Sabor Cubano” Learn how to dance with the best dancers in town and enjoy the original “Mojito Cubano”! Colonia Palmira, No. 1933, half a block from Taco Taco. For more information call: 235-9947.

EXCELLENT LIVE MUSIC.
Fridays and Saturdays at Restaurant El Corral, Col. Alameda. Meats are their specialty.

MISCELLANEOUS

USA EMBASSY SCHOLARSHIPS.
For more information contact Ledy Pacheco, information specialist. pachecoLC@state.gov or 236-9309

 

MUSEUMS & GARDENS

TEGUCIGALPA 

MUSEO DE HISTORIA REPUBLICANA

The Museum of Republican History is located at the Villa Roy building in Tegucigalpa's Barrio Buenos Aries.  It is open 8:30 to 3:30, Tuesdays through Sundays and features portraits, paraphernalia, and other interesting items from past presidents.  Admission is Lps. 20 for non-resident foreigners and Lps. 10 for Hondurans and Central Americans.  For more information, call 222-3470 or 222-1468. 

CENTRAL BANK MUSEUM

The Central Bank of Honduras located at the Comayaguela annex building is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.  It has a permanent coin and painting exhibit.  For special presentations, call the Emision y Tesoreria department at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] 

NATIONAL ART GALLERY

The Galeria Nacional de Arte features rock art, pre-Columbian ceramics, colonial paintings, religious art and a wide selection of 20th century Honduran painters.  The gallery is located at the Plaza de la Merced in downtown Tegucigalpa.  It is open Tuesday through Saturday from 10-5 p.m. and Sunday from 10-2 p.m.  Admission is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students and Lps. 1 for children accompanied by adults. 

IGUANA FARM

The Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public to come and learn everything about iguanas.  Admission is Lps. 5 for adults, Lps. 3 for children.  The facility is open every day (except Wednesday) from 9 to 5.  For more information, call 230-6346.

COMAYAGUA, COMAYAGUA 

COMAYAGUA MUSEUM OF ARCHAEOLOGY

Located in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua Museum of Archaeology is in the building that served as the seat of government in the 19th century.  Exhibits include prehistoric fossils, cave art, ceramics, and objects used by indigenous cultures during the pre-Colombian era.  The museum, which also has a small library, is open to the public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. 

COMAYAGUA RELIGIOUS MUSEUM

Located in the Casa Cural in front of Comayagua's cathedral, this museum features religious paintings and objects dating back to the 16th century.  Hours are 8-12 and 2-4 p.m., Mondays through Fridays.  For more information, contact Leonardo Letona at 772-0348.

LA PAZ, LA PAZ 

LA PAZ HOUSE OF CULTURE

The La Paz Casa de la Cultura is located in downtown La Paz.  It features an attractive exhibit of the Lenca handicrafts and culture.  It is open Mondays through Sundays.

SAN PEDRO SULA, CORTES 

SPS MUSEUM OF ANTHROPOLOGY AND HISTORY

The Museo de Antropologia e Historia de San Pedro Sula features exhibits on the development of Sula Valley, from 1500 B.C. to the middle of this century.  The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays and 9 a.m. to 3 p.m. on Sundays.  Admission is Lps. 10 for adults, Lps. 5 for students and children under 12, and Lps. 2 for senior citizens.  For more information, call 557-1496/557-1798 or fax 557-1874. 

MUSEUM OF NATURE OF SAN PEDRO SULA

Sponsored and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this new museum was inaugurated last December in its current location at the Biocentro on 3 Avenida and 9 Calle Noroeste.  It has 24 exhibits on the environment, natural resources and biology of Honduras.  Hours are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.  Admission is Lps 5 for students from public schools and Lps. 10.00 for everyone else.

YUSCARAN, EL PARAISO 

YUSCARAN HOUSE OF CULTURE

Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli.  It is open Mondays through Saturdays.

OLANCHO 

PECH CULTURAL CENTER

The Pech have built a small house in El Carbon, Olancho to display their modern handicrafts.  An exhibit of archaeological finds in the area is planned.  You can ask to see the collection and/or get a tour of a Post Classic era fortified site.  The Pech Cultural Center also offers medicinal plant tours, nature hikes, Pech dinners, etc.  There is no admission fee to the cultural center.  Hours: If you ask, they will open it.

COPAN 

COPAN ARCHEOLOGICAL MUSEUM

Located in the village of Copan Ruinas, Copan department, the museum exhibits a splendid assortment of Mayan pieces that have been found in the Copan Ruins Archaeological Park just 1 km away.  

LA PUENTE ARCHAEOLOGICAL MUSEUM

Featuring a sizeable collection of Mayan handicrafts and photographs as well as a room with Japanese antique ceramics, this museum is located at the El Puente Archaeological Site, about an hour's drive from Copan Ruinas. 

MAYAN SEPULTURAS MUSEUM

Inaugurated in 1996, this is the premier Mayan museum in the Mundo Maya, featuring the finest examples of Copan's tombs, sculptures and architecture.  Located at the Copan Ruins Archaeological Park, the museum is open Monday through Sunday.  

TELA, ATLANTIDA 

LANCETILLA BOTANICAL GARDENS

Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America.  It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays.  There is an admission charge.

LA CEIBA, ATLANTIDA 

TROPICAL BUTTERFLY FARM

The Tropical Butterfly Farm & Gardens of La Ceiba is open to the public Wednesday to Sunday, 8 a.m. to 4:30 p.m.  The farm is located at The Lodge at Pico Bonito in the village of El Pino, about 25 minutes west of La Ceiba.  Admission is Lps. 30 for adults, Lps. 15 for children and $6 for international visitors. 

BUTTERFLY AND INSECT MUSEUM

Thousands of butterflies and insects from Honduras and 18 other countries are on display in La Ceiba' private Butterfly and Insect Museum.  It is located in Colonia El Sauce, 2nd etapa, casa G-12.  Visiting hours are 8-12 and 2-5, Monday through Saturday.  The museum is closed Wednesday afternoon.  Fees are Lps. 15 for adults and Lps. 10 for students.  Tel. 442-2874, e-mail: rlehman@ns.gbm.hn

TRUJILLO 

TRUJILLO RUFINO GALAN MUSEUM

A private museum which has a memorabilia section, old chairs, anchors, silverware, beds of famous people locally.  There is an industrial archaeology section on how lights, axes, stoves, sewing machines, typewriters have changed over time.  They have a good collection of Garifuna handicrafts and the best collection of NE Honduras archaeological pieces -- all unmarked.  A written guide to the museum is available at the Trujillo Tourism Office in English and Spanish.  The museum is open 8 to 4, closing for lunch.  Adults Lps. 20, children Lps. 10.  Located on Calle 18 de Mayo, next to the Crystales River and the famous "piscina" or pool, about a 15-minute walk out of town.

ROATAN, THE BAY ISLANDS 

CARAMBOLA BOTANICAL GARDENS

h located in Sandy Bay, Roatan, Bay Islands.  A wide variety of exotic plants is featured here, including "Roatan's most extensive orchid collection."  It is open daily from 7 a.m. to 5 p.m.  For more information, call 445-1117 and ask for Bill or Irma Brady. 

BAY ISLANDS MUSEUM

A private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands, it mostly includes archaeological pieces, but there is a small section on the modern Bay Islanders.  Museum admission is included in the cost of the dolphin show at Anthony Key's Institute of Marine Sciences.  Small buses or taxis will take you to Sandy Bay from most Roatan towns.

Monday, March 20, 2006 Online Edition 10

Lights! Camera! Inaction!
What has happened to Honduran cinema?

George Reynolds
Honduras This Week

cinemaThe private house in front of me does not look like Honduras' equivalent of Warner Studios. Inside is the powerbase of Terco Productions, an exclusive audio-visual producer that helps its small list of clients to promote and market their films. From time to time, however, they also produce their own short films, and the most recent, Corazon Abierto, opens in a handful of Honduran cinemas this April. It is about the attempts made to finish Honduran director Sami Kafati's only feature-length film, and his alleged supernatural involvement in the project from beyond the grave.

The film's director, Katia Lara, is one of the few people who truly care about Honduran cinema, but even she is forced to acknowledge that talking about the Honduran Film Industry is somewhat misleading. Because, you see, it doesn't really exist. Only a handful of Honduran films have ever made it to cinemas, and even then they only ran for a matter of days. In fact, Central America as a whole suffers from a dearth of studios and production companies; the closest the region has to a fully-functioning industry is to be found in Costa Rica, yet by international standards this is still very much in its infancy.

Katia believes that the current stagnation is due to a combination of factors: firstly, unlike in the United States or Europe, film has not been an important part of the cultural agenda until recently. Until fairly recently, there were no schools in the region that specialised in cinema. Of course, the relative poverty of many Central American countries is also a significant issue, as is the civil unrest and war that has scarred the area. And finally, in many countries - Honduras included - the help provided by governments is so scarce as to be practically useless.

Occasionally, a film does break out from the relatively young Latin American market and enter the global mainstream. Films like Amores Perros (from Mexico), Cidade de Deus (Brazil), and Los Diarios Motorcicletas (Argentina) enjoyed critical approbation and garnered awards in Europe and the USA, and Katia highlights one quality through which the films earned their success: their authenticity. These are films that do not compromise and follow the Hollywood recipe for big box-office bucks. They have maintained their cultural integrity, and it is this that foreign audiences have warmed to.

Of course, closer to home, staying true to your principles can make it hard to make any sort of impression at the box office, or even get your film screened. Katia finds the American monopoly over cinema frustrating in this regard: not only does it ensure that the average Honduran does not get to enjoy films from Europe or the Far East, but also the average Honduran film-maker finds himself punching way above his weight. How can a low-budget documentary hope to challenge the latest Hollywood orgy of special effects and superstars for any sort of commercial parity?
It is not just hard for people like Katia - "it makes life impossible". In order to get Corazon Abierto screened at a local cinema, Katia had to ensure the owner that her film would play to a packed auditorium. Even then, she was only allowed one screening per day; and yet she should probably consider herself lucky to get even that. The only Honduran films to make it to the big screen - despite playing to full houses for three successive weeks - were removed from the cinemas in favour of sure-fire winners from north of the Mexican border.

This seems like a fairly grim prognosis, but surprisingly Katia is upbeat: she has helped in laying the foundations so that future generations will not be in the same position. Already there is a primitive organization, Synergia, with funds that would barely pay for one scene of the latest Hollywood comic-book adaptation but that provide useful support to projects such as Corazon Abierto, which received a boost of $5000 US. Furthermore, it is no longer so hard to see films made abroad. It used to be the case that the annual Central American film festival, held in Guatemala, was accessible only to those with the money to cover their travel expenses. Now, however, the organizers tour all of Central America with the best films on show.

Mujeres en las Artes have also provided a helping hand, holding open screenings so that foreign film-makers (and Hondurans) have a forum to show films and compare and benefit from each other's ideas. There are plans for a project, funded by the French government, which will open this year and  - it is hoped - provide the embryo for the first-ever Honduran film library. And finally, last year saw the founding of the Association of Honduran Film-makers (ACH), of which Katia is one of the four members.

There is a long way to go - it will be a while before we see the Honduran Academy Awards - but Katia is confident that her work, and the work of other, like-minded, film enthusiasts, has provided the seed that will bear fruit in years to come. Given the paltry rewards she receives for her current work, it is something of a sacrifice, and it is true that the twenty years or more that lie between today and a thriving Honduran cinema are clouded in uncertainty. But let's just remember the tagline to one of the rare Hollywood movies that dared to buck the system: "Fear can hold you prisoner. Hope can set you free."

 


 

Leeward Course

Yes I am a pirate,
Two hundred years too late
The cannons don't thunder,
There's nothin' to plunder
I'm an over-forty victim of fate
Arriving too late,
Arriving too late.

Pirate
Graphics/Honduras This Week
Western culture loves to dress up like pirates for costume parties. 

-- A Pirate Looks at Forty by Jimmy Buffet

As we look to the uncertain promise of the 21st Century, many of us would perhaps rather enjoy being thrust back in time, to the heyday of the Golden Age of Piracy. Such a lifestyle, as was led by the roguish buccaneers of the 17th Century, seems to us gilded with a silver lining of glamour and romance. 

I for one would love a trip to old Port Royal as it was during the late 1600's. But, also, I think a 2-hour visit would suffice to assure me that the days of yore were not as carefree as one would like, and that the promise of adventure had a high price attached to it.

As there are no time machines available yet, we may seek to realize this dream vicariously. Books like Treasure Island have encouraged this, and movies on the topic are perhaps one of the most popular themes ever made available by the entertainment industry. Some of the more colorful Internet sites are related to pirate lore. One of the most visited destinations at the Magic Kingdom continues to be the e-ticket ride, Pirates of the Caribbean.

Mainstream Western culture, it would seem, loves pirates; so we dress up like them for costume parties and talk like them whenever we wish to give colloquial emphasis to a particular point. I suppose there's little harm in it; anyhow, to quote Buffet, we're about two hundred years too late.

Nevertheless, when we hear about modern pirates in the press, the romantic veil crumbles very quickly. I know of at least two couples that, while cruising the north coast of Honduras in their boats, had lamentable run-ins with modern-day marauders. These and other affected people would say - and understandably so - that I can to keep my pirates to myself or feed them to the sharks and do humanity a favor.

As a fellow sailor/cruiser, I would respectfully submit that I regret what happened, and would have preferred that they had never had such harrowing experiences. Somehow the thought of losing a loved one to such fiends as may be roaming this, and other oceans, is a reminder that one shouldn't be quite as flippant about the topic; particularly since on this lee shore of ours the naval authorities are so sorely disadvantaged or altogether absent.

 The fact remains that some things can be avoided. Anybody choosing to cruise in these waters would do well to exercise a careful judgment. Please, be courteously suspicious of nearby ships. Foremostly, avoid letting strangers come aboard, despite all friendly initial overtures. If they seem to require help, try to raise the nearest base (there's Puerto Cortés, Punta Castilla/Trujillo in the Atlantic and Amapala in the Pacific) on your VHF and report your whereabouts before trying to lend assistance.  If there are other boats in the vicinity you might want to also let them know.  If you must anchor in a deserted cove for the night, on the mainland or the islands, it doesn't hurt to set a watch out.  Finally, at the first hint of untoward behavior, a quick show of force might be the best deterrent, but-- like all similar situations-- this is a personal call and often hard to make.

I do not wish to detract from anyone's sailing experience in Honduras. But rapturous as sailing may be, others' sobering experiences should be made useful to us. Today's pirates lurking the Western Caribbean may not be as daring or numerous as those that came before them, but they're equally vicious. For the most part now, they are opportunistic cowards, sticking to the coastal waters and not very well versed on boatmanship. Like other predators, they seek out the weakest victim in the herd or the lonely traveler. Use this knowledge to your advantage.



Honduran  Paintings

painting

Tegucigalpa 
Monument of Peace
   
A. Luna (D)   1977    Honduras
12 x 10 Painted 1977
Rare

Summer Sale!
See More Painings at
www.honduraspaintings.com


Culinary Adventure

Fish heads and shrimp shells are essential to making a great fish soup. Whenever I buy fresh fish I always ask for head, tail, skin and bones, which I store in the freezer. I also like to stockpile shrimp shells and lobster shells. These "throw-a-ways" are the basis for an excellent fish soup or chowder. When working with fish heads, it is best to remove the gills and the eyes before making your stock. Onions, celery, leeks when you can get them and garlic are the main ingredients for a good stock, which can be perfumed with fresh parsley, cilantro and thyme. When working with fish, I am partial to thyme and parsley.

My wife is a "fit for life" practioner and does not combine carbs and proteins, so my recipe will not include potatoes or yucca, but please my recipe as a guideline and feel free to experiment with various ingredients. To make a great soup, you begin with great ingredients to make a stock, and to the stock you can add the fish, shellfish and vegetables. A great fish stock is always clear, not cloudy; and avoid using carrots if possible. The fish stock only takes about 30-40 minutes to cook, and should be cooked at a gentle simmer. Think of a tropical fish tank and the little bubbles that gently break the surface, this is the ideal temperature for making your stock. Also, make sure that the final ingredients in your soup are cut into tablespoon or soupspoon size portions for easy serving.

Fish Stock

Ingredients

Whole butter 3 oz
Shrimp shells 1-2 cups
Onion 1 cup fine dice
Celery ½ cup fine dice
Leeks ½ cup fine dice
Garlic 1 tablespoon fine mash
Fish Head rinsed clean, remove gills and eyes
Bones, skin, tail rinsed clean
Thyme 1 tablespoon
Parsley ½ cup washed, dried and chopped fine
Brandy 2 oz
White wine 2 cups
Cold water 3 liters

Preheat a large stock pot to medium high heat, add whole butter and melt quickly, add onion, leeks and celery, and cook without color, add shrimp shells and cook until shell turn orange/pink, flame with brandy, add white wine, parsley, thyme and garlic, reduce liquid by ½, add fish head, bones, skin and tail, add cold water, bring to a boil and immediately reduce to a gentle simmer, do not stir, remove the scum that floats to the top with a strainer or spoon and simmer for 30-40 minutes, uncovered. Strain through a fine strainer into a second stock pot, return to heat and gently simmer until the liquid is reduced by 1/3. This will give you a great base stock for any seafood soup.

Seafood Soup

Ingredients

Fresh fish fillets approximately 3 oz per serving, cut to spoon size portions

Whole butter 2 oz
Shrimp 2 oz per person, medium size cleaned, peeled and deveined
Onion 2 cups fine dice
Celery 1 cup fine dice
Leeks 1 cup fine dice
Garlic 2 tablespoon fine mash
Tomato 2 cups, peeled and seeded, medium dice
Thyme 1 tablespoon
Parsley ½ cup washed, dried and chopped fine
Fish Stock 2 liters

Preheat a large stock pot to medium high heat, add whole butter and melt quickly, add onion, leeks, garlic and celery, and cook without color, add fish stock, bring to a boil, reduce to a simmer, add tomatoes, fish, shellfish and herbs. When these cold ingredients are added, the temperature of the pot goes way down and you must bring the soup up to a gentle simmer. Stir gently, as the pot begins to simmer, allow to simmer for 10 minutes, season with salt, pepper or chili, and lime.

Questions or comments?

E-mail Daniel O'Connor at culinary_adventures@hotmail.com

 

Maya Calendar

CULTURAL EVENTS

ART

WOMEN IN THE ARTS
-
Mujeres en las Artes. One of the strongest artistic movements in Tegucigalpa.  Mujeres en la Artes Leticia de Oyuela constantly sponsors workshops, exhibitions, conferences, art shows and community events in the city. For the complete schedule, log on to www.muaartes.org.hn or contact Veronica Romero at 222 3015.

LITERARY CONTEST 2006, HIBUERAS AWARD.The French, Spanish  and  German Embassies, the Ministry of Culture, Arts and Sports invite national writers to participate . Story prose to be considered. For more information: 236-6800 (French Embassy), 231-3161(German Embassy) 239-6164 (French Alliance)

FRENCH-GERMAN WEEK.
On April 22 thru 29.  On April 18th the program and activities of this special wee will be presented to the Press at the Clarion Hotel.

TERCO CULTURAL PRODUCTIONS.
Contact them, they  always have info on cultural activities. E-mail: tercoproducciones@gmail.com. Visit www.karlalara.com

AFRICAN LEGACY MONTH IN HONDURAS. April 2006.
Organization for Development  in the Community. In search of voices that silence the silence. Contact odeco@caribe.hn

CULTURAL ACTIVITIES.
Cafe Paradiso (downtown) is always performing cultural activities. Contact paradiso@cablecolor.hn

“THEATRE PLAY “A BAD DAY II”.
Renacimiento Theatre, Millennium Plaza. March and April. Fridays: 8:00 p.m., Sundays 5:00 and 8:00 p.m. General entrance: Lps. 80.00

CHILDREN’S THEATRE IN HONDURAS, ISIDRO ESPAÑA ART DRAMA SCHOOL.
The inscription is open for painting and drawing, drama, literature, guitar playing at the APH. Classes begin on April 17th, Mondays, Thursdays and Saturdays. For more information 234-0167, 234-8715

PANHISPANIC DOUBTS  DICTIONARY .
On March 2nd, the Honduran Academy of Language and the Spain Embassy presented the Dictionary. For more information visit www.rae.es

 GRAND OPENING BELLAS ARTES GALLERY AND CAFE AT ROATAN.
Come celebrate the Spring Equinox. Sunday March 19th, 4:00 p.m.. On main road behind West Bay, Roatan, just past shopping mall.

INFORMATION ABOUT CULTURAL ACTIVITIES.
Contact contacto@rds.org.hn

NATIONAL LIBRARY INSTALLATIONS FOR EVENTS.
These installations are appropriate for book presentations, expositions, conferences and any other cultural events.

VISIT AN EXCELLENT WEB SITE.
The Association Women in the Arts, Aid Center and Visual Arts is inviting you to visit the web site: www.instala.hn. You will find art activities of the different projects.

ACORBAT BRAZIL 2006 CONTEST.
The Scientific Committee of the XVII International Meeting of the Acorbat, Brazil 2006 informs that the inscription is open. Visit www.acorbat2006.org or ryoung@la.dole.com


MUSIC & DANCE

DANCE, THEATRE,PAINTING WORKSHOPS AND READERS CLUB FOR CHILDREN
Cultural Center for Children in San Pedro Sula. 3 Ave. 12 St. S.O. Paz Barahona neighborhood. Inscriptions until March 31st. Attention schedule: 8:00 a.m. - 12:00 m, I:00 o.m. - 5:00 p.m. . Monday thru Friday.

PHILHARMONIC ORCHESTRA IN CONCERT. Director: Jorge Gustavo Mejía. Manuel Bonilla Theatre, March 17th and 22th . 7:00 p.m. Lps. 100.00 - 150.00, Gallery: Lps. 20.00

OAXACA MUSIC INSTRUMENTS CONTEST, SUMMER 2006. The Secretary of Culture, Arts & Sports and the Embassy of Mexico invite to participate. For more information contact: verano@instrumento.org or 221-3928 (Culture, Arts and Sports Secretary)

LATIN JAZZ QUARTET OF ALEJANDRO AVILES (LATINO JAZZ)
In San Pedro Sula: March 21st, 7:30 pm. Santa Barbara, Multicultural Hibueras Center, March 22th, 7:00 p.m. at the Anthropology Museum, free entrance. Tegucigalpa, Manuel Bonilla Theatre, March 23th, 7:00 p.m. Sponsored by USA Embassy and the Secretary of Culture, Arts and Sports. Free entrance.

SECOND CENTRAL AMERICAN PRESENTATION OF EMERGENT ART
The Contemporary Art and Design Museum of San José, Costa Rica invites Central Americans and foreign residents in Central America to participate in this event. For more information contact the Cultural Office of the Spanish Embassy, Col. Palmira, Colombia St. Tegucigalpa. Tel: 232-2019; or visit www.madc.ac.cr

THE TREASURE THAT YOU HAVE: EL TESORO QUE TIENES.
The new CD of Guillermo Anderson, produced with the support of the Rio Platano Biosphere Project and the German Cooperation Agency (GTZ). The Misquito artist Juan Cooper is the guest of honor. For information contact 550-3105 

SABOR CUBANO.-
Come and enjoy the best Latin Rhythms:    Salsa, Merengue, and Rumba. Every Friday at Restaurant-Bar:  “Sabor Cubano” Learn how to dance with the best dancers in town and enjoy the original “Mojito Cubano”! Colonia Palmira, No. 1933, half a block from Taco Taco. For more information call: 235-9947.

EXCELLENT LIVE MUSIC.
Fridays and Saturdays at Restaurant El Corral, Col. Alameda. Meats are their specialty.


MISCELLANEOUS

BAKERY WORKSHOP.
Clarion Hotel, March 20 - 21. Cost: Lps. 800.00 For more information, contact: 286-6000

RELIGIOUS FAIT HONORING SAN JOSE.
March 19 in Santa Rosa de Copan, Barrio Buenos Aires in Tegucigalpa, Las Colinas, Santa Barbara, Nacaome, Valle.

USA EMBASSY SCHOLARSHIPS.
For more information contact Ledy Pacheco, information specialist. pachecoLC@state.gov  or 236-9309

 

MUSEUMS & GARDENS

TEGUCIGALPA 

MUSEO DE HISTORIA REPUBLICANA

The Museum of Republican History is located at the Villa Roy building in Tegucigalpa's Barrio Buenos Aries.  It is open 8:30 to 3:30, Tuesdays through Sundays and features portraits, paraphernalia, and other interesting items from past presidents.  Admission is Lps. 20 for non-resident foreigners and Lps. 10 for Hondurans and Central Americans.  For more information, call 222-3470 or 222-1468. 

CENTRAL BANK MUSEUM

The Central Bank of Honduras located at the Comayaguela annex building is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.  It has a permanent coin and painting exhibit.  For special presentations, call the Emision y Tesoreria department at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] 

NATIONAL ART GALLERY

The Galeria Nacional de Arte features rock art, pre-Columbian ceramics, colonial paintings, religious art and a wide selection of 20th century Honduran painters.  The gallery is located at the Plaza de la Merced in downtown Tegucigalpa.  It is open Tuesday through Saturday from 10-5 p.m. and Sunday from 10-2 p.m.  Admission is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students and Lps. 1 for children accompanied by adults. 

IGUANA FARM

The Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public to come and learn everything about iguanas.  Admission is Lps. 5 for adults, Lps. 3 for children.  The facility is open every day (except Wednesday) from 9 to 5.  For more information, call 230-6346.

COMAYAGUA, COMAYAGUA 

COMAYAGUA MUSEUM OF ARCHAEOLOGY

Located in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua Museum of Archaeology is in the building that served as the seat of government in the 19th century.  Exhibits include prehistoric fossils, cave art, ceramics, and objects used by indigenous cultures during the pre-Colombian era.  The museum, which also has a small library, is open to the public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. 

COMAYAGUA RELIGIOUS MUSEUM

Located in the Casa Cural in front of Comayagua's cathedral, this museum features religious paintings and objects dating back to the 16th century.  Hours are 8-12 and 2-4 p.m., Mondays through Fridays.  For more information, contact Leonardo Letona at 772-0348.

LA PAZ, LA PAZ 

LA PAZ HOUSE OF CULTURE

The La Paz Casa de la Cultura is located in downtown La Paz.  It features an attractive exhibit of the Lenca handicrafts and culture.  It is open Mondays through Sundays.

SAN PEDRO SULA, CORTES 

SPS MUSEUM OF ANTHROPOLOGY AND HISTORY

The Museo de Antropologia e Historia de San Pedro Sula features exhibits on the development of Sula Valley, from 1500 B.C. to the middle of this century.  The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays and 9 a.m. to 3 p.m. on Sundays.  Admission is Lps. 10 for adults, Lps. 5 for students and children under 12, and Lps. 2 for senior citizens.  For more information, call 557-1496/557-1798 or fax 557-1874. 

MUSEUM OF NATURE OF SAN PEDRO SULA

Sponsored and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this new museum was inaugurated last December in its current location at the Biocentro on 3 Avenida and 9 Calle Noroeste.  It has 24 exhibits on the environment, natural resources and biology of Honduras.  Hours are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.  Admission is Lps 5 for students from public schools and Lps. 10.00 for everyone else.

YUSCARAN, EL PARAISO 

YUSCARAN HOUSE OF CULTURE

Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli.  It is open Mondays through Saturdays.

OLANCHO 

PECH CULTURAL CENTER

The Pech have built a small house in El Carbon, Olancho to display their modern handicrafts.  An exhibit of archaeological finds in the area is planned.  You can ask to see the collection and/or get a tour of a Post Classic era fortified site.  The Pech Cultural Center also offers medicinal plant tours, nature hikes, Pech dinners, etc.  There is no admission fee to the cultural center.  Hours: If you ask, they will open it.

COPAN 

COPAN ARCHEOLOGICAL MUSEUM

Located in the village of Copan Ruinas, Copan department, the museum exhibits a splendid assortment of Mayan pieces that have been found in the Copan Ruins Archaeological Park just 1 km away.  

LA PUENTE ARCHAEOLOGICAL MUSEUM

Featuring a sizeable collection of Mayan handicrafts and photographs as well as a room with Japanese antique ceramics, this museum is located at the El Puente Archaeological Site, about an hour's drive from Copan Ruinas. 

MAYAN SEPULTURAS MUSEUM

Inaugurated in 1996, this is the premier Mayan museum in the Mundo Maya, featuring the finest examples of Copan's tombs, sculptures and architecture.  Located at the Copan Ruins Archaeological Park, the museum is open Monday through Sunday.  

TELA, ATLANTIDA 

LANCETILLA BOTANICAL GARDENS

Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America.  It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays.  There is an admission charge.

LA CEIBA, ATLANTIDA 

TROPICAL BUTTERFLY FARM

The Tropical Butterfly Farm & Gardens of La Ceiba is open to the public Wednesday to Sunday, 8 a.m. to 4:30 p.m.  The farm is located at The Lodge at Pico Bonito in the village of El Pino, about 25 minutes west of La Ceiba.  Admission is Lps. 30 for adults, Lps. 15 for children and $6 for international visitors. 

BUTTERFLY AND INSECT MUSEUM

Thousands of butterflies and insects from Honduras and 18 other countries are on display in La Ceiba' private Butterfly and Insect Museum.  It is located in Colonia El Sauce, 2nd etapa, casa G-12.  Visiting hours are 8-12 and 2-5, Monday through Saturday.  The museum is closed Wednesday afternoon.  Fees are Lps. 15 for adults and Lps. 10 for students.  Tel. 442-2874, e-mail: rlehman@ns.gbm.hn

TRUJILLO 

TRUJILLO RUFINO GALAN MUSEUM

A private museum which has a memorabilia section, old chairs, anchors, silverware, beds of famous people locally.  There is an industrial archaeology section on how lights, axes, stoves, sewing machines, typewriters have changed over time.  They have a good collection of Garifuna handicrafts and the best collection of NE Honduras archaeological pieces -- all unmarked.  A written guide to the museum is available at the Trujillo Tourism Office in English and Spanish.  The museum is open 8 to 4, closing for lunch.  Adults Lps. 20, children Lps. 10.  Located on Calle 18 de Mayo, next to the Crystales River and the famous "piscina" or pool, about a 15-minute walk out of town.

ROATAN, THE BAY ISLANDS 

CARAMBOLA BOTANICAL GARDENS

h located in Sandy Bay, Roatan, Bay Islands.  A wide variety of exotic plants is featured here, including "Roatan's most extensive orchid collection."  It is open daily from 7 a.m. to 5 p.m.  For more information, call 445-1117 and ask for Bill or Irma Brady. 

BAY ISLANDS MUSEUM

A private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands, it mostly includes archaeological pieces, but there is a small section on the modern Bay Islanders.  Museum admission is included in the cost of the dolphin show at Anthony Key's Institute of Marine Sciences.  Small buses or taxis will take you to Sandy Bay from most Roatan towns.

Monday, March 13, 2006 Online Edition 9

Leeward Course

"Oh, I'm not a man-o-war
Nor privateer," said he
"But I am salt sea pirate
All a-looking for me fee"
For Broadside, for broadside
A long time we lay
'Til at last the Prince of Luther
Shot the pirate's mast away
"Oh quarter, oh quarter"
Those pirates they did cry
But the quarter that we gave them
Was we sank 'em in the sea.

-- High Barbary, traditional shanty

Pirates were not the lawless bunch one might be inclined at first to think. On the contrary, they lived by rules and were perhaps the first true democrats to settle in the New World, a clear example being "Black Bart" Bartholomew's code:

1. All important decisions to be put to a vote.

2. Any man caught stealing shall be marooned.

3. All pistols and cutlasses will be kept clean.

4. No women allowed on board.

5. Any man who deserts ship in battle shall be put to death.

6. All crew's quarrels will be settled on shore.

7. The captain and quartermaster to receive two shares of the booty; the master gunner, and boatswain, one and a half shares; other officers one and a quarter shares; all others, one shares each.

8. Injuries to be compensated. Any man who loses a limb in battle shall receive extra booty.

Such norms of behavior and simplicity stand in clear contrast to the despotic sway some European monarchs held on their colonies overseas. The retributions offered to a ship's captain bringing back gold and tobacco from the West Indies were rarely as generous, and often justice was in the hands of bureaucrats on the take (in this sense, not much has changed). Very likely, these officers lived a life of harshness and privation, only to retire into a meager allowance after having faithfully served an ungrateful master.

However - be it of any consolation - many ships of the line offered some comforts and security to their crews, plus the illusion of remaining under the protection of the laws of God-fearing men. The largest of the Man-O-Wars, as well as the Spanish Galleons, were spacious and well-appointed vessels. They were also quite safe. A big Man-O-War could carry up to 120 30-pound cannon, but the typical number was 74. The Galleon, which served the dual purpose of being a merchant ship as well as a fighting vessel, normally also carried 74 guns (36 on each side, and 2 aft), not counting smaller cannon for repelling boarders.

Pirates seemed to favor the more versatile sloops (one mast) and corvettes (two-masted). Since they weren't concerned with carrying much cargo, or - for that matter - crossing the Atlantic, these smaller sailing craft lent themselves best to classic hit-and-run tactics.

A sloop could be operated with a small crew, and its agility allowed it to quickly catch up with any larger ship or to evade one slowly coming about in an attempt to bring its cannon to bear. By maneuvering around the bigger vessel, a sloop could successfully avoid the business end of a 36-cannon broadside, all the while peppering it with its own five-pounders.

More often than not pirates relied on daring, surprise and bluff (or reputation) to bring about a victory. A pirate ship's willingness to fight and a Jolly Roger - with its somber promise - on the mainmast were quite enough for an encumbered captain to lose heart and lower his flag in concession.

Upon defeat, a boarding party could then join the prize, dropping the prisoners off on a nearby island or feeding them to the sharks, depending on whether or not resistance had been met. This is where stories of "ears in salt'n peppah" got their origin, since pirates could well be a vicious and dark company if affronted at the outset. Sometimes, the prize ships were burned after being deposed of their cargo, others were sunk outright; other times the pirate skipper could choose to "trade up" leaving his old vessel to a mate.

The names of the famous pirate ships have not all been recorded for us; many times they didn't have names, as a christening ceremony could be considered controversial in buccaneer circles. We do know that many pirates used the word "revenge" in naming their ships, like Blackbeard's Queen Anne's Revenge, or Bonnet's plain old Revenge; Bartholomew preferred names like Fortune and Lowther Delivery; Evans called his vessel Scowerer, and finally my favorite (and Henry Morgan's) The Satisfaction.

Next, we'll look at modern day would-be pirates and stereotypical pirates, both now largely in the pall of a once commanding way of life.

 

Honduran  Paintings

painting

Tegucigalpa 
Monument of Peace
   
A. Luna (D)   1977    Honduras
12 x 10 Painted 1977
Rare

Summer Sale!
See More Painings at
www.honduraspaintings.com

Culinary Adventure

Fish heads and shrimp shells are essential to making a great fish soup. Whenever I buy fresh fish I always ask for head, tail, skin and bones, which I store in the freezer. I also like to stockpile shrimp shells and lobster shells. These "throw-a-ways" are the basis for an excellent fish soup or chowder. When working with fish heads, it is best to remove the gills and the eyes before making your stock. Onions, celery, leeks when you can get them and garlic are the main ingredients for a good stock, which can be perfumed with fresh parsley, cilantro and thyme. When working with fish, I am partial to thyme and parsley.

My wife is a "fit for life" practioner and does not combine carbs and proteins, so my recipe will not include potatoes or yucca, but please my recipe as a guideline and feel free to experiment with various ingredients. To make a great soup, you begin with great ingredients to make a stock, and to the stock you can add the fish, shellfish and vegetables. A great fish stock is always clear, not cloudy; and avoid using carrots if possible. The fish stock only takes about 30-40 minutes to cook, and should be cooked at a gentle simmer. Think of a tropical fish tank and the little bubbles that gently break the surface, this is the ideal temperature for making your stock. Also, make sure that the final ingredients in your soup are cut into tablespoon or soupspoon size portions for easy serving.

Fish Stock

Ingredients

Whole butter 3 oz
Shrimp shells 1-2 cups
Onion 1 cup fine dice
Celery ½ cup fine dice
Leeks ½ cup fine dice
Garlic 1 tablespoon fine mash
Fish Head rinsed clean, remove gills and eyes
Bones, skin, tail rinsed clean
Thyme 1 tablespoon
Parsley ½ cup washed, dried and chopped fine
Brandy 2 oz
White wine 2 cups
Cold water 3 liters

Preheat a large stock pot to medium high heat, add whole butter and melt quickly, add onion, leeks and celery, and cook without color, add shrimp shells and cook until shell turn orange/pink, flame with brandy, add white wine, parsley, thyme and garlic, reduce liquid by ½, add fish head, bones, skin and tail, add cold water, bring to a boil and immediately reduce to a gentle simmer, do not stir, remove the scum that floats to the top with a strainer or spoon and simmer for 30-40 minutes, uncovered. Strain through a fine strainer into a second stock pot, return to heat and gently simmer until the liquid is reduced by 1/3. This will give you a great base stock for any seafood soup.

Seafood Soup

Ingredients

Fresh fish fillets approximately 3 oz per serving, cut to spoon size portions

Whole butter 2 oz
Shrimp 2 oz per person, medium size cleaned, peeled and deveined
Onion 2 cups fine dice
Celery 1 cup fine dice
Leeks 1 cup fine dice
Garlic 2 tablespoon fine mash
Tomato 2 cups, peeled and seeded, medium dice
Thyme 1 tablespoon
Parsley ½ cup washed, dried and chopped fine
Fish Stock 2 liters

Preheat a large stock pot to medium high heat, add whole butter and melt quickly, add onion, leeks, garlic and celery, and cook without color, add fish stock, bring to a boil, reduce to a simmer, add tomatoes, fish, shellfish and herbs. When these cold ingredients are added, the temperature of the pot goes way down and you must bring the soup up to a gentle simmer. Stir gently, as the pot begins to simmer, allow to simmer for 10 minutes, season with salt, pepper or chili, and lime.

Questions or comments?

E-mail Daniel O'Connor at culinary_adventures@hotmail.com

Maya Calendar
CULTURAL EVENTS

ART

WOMEN IN THE ARTS
-
Mujeres en las Artes. One of the strongest artistic movements in Tegucigalpa. Mujeres en la Artes Leticia de Oyuela constantly sponsors workshops, exhibitions, conferences, art shows and community events in the city. For the complete schedule, log on to www.muaartes.org.hn or contact Veronica Romero at 222 3015.

MARIONETTE WORKSHOP.
For elementary school teachers. French Alliance in San Pedro Sula on Saturdays, starting on March 11, 3 - 7 p.m.

TERCO CULTURAL PRODUCTIONS.
Contact them, they always have info on cultural activities. E-mail:
tercoproducciones@gmail.com

FRENCHPHONIA WEEK INAUGURATION AND SPECTACULAR DINNER
The French Embassy and the French Alliance are the sponsors of this activities. A French chef will be cooking, there will be Beaujolais wine, jazz music. French Alliance local, March 17th , from 19:30 p.m.. For more information 221-4529.

SHARING CULTURAL ACTIVITIES.
Visit www.denniscerratoart.com
www.galler ofthemaster.comwww.hondurasart.com

CULTURAL ACTIVITIES.
Cafe Paradiso (downtown) is always performing cultural activities.
Contact paradiso@cablecolor.hn

THEATRE PLAY “A BAD DAY II”.Renacimiento Theatre, Millennium Plaza. March and April. Fridays: 8:00 p.m., Sundays 5:00 and 8:00 p.m. General entrance: Lps. 80.00

CHILDREN’S THEATRE IN HONDURAS, ISIDRO ESPAÑA ART DRAMA SCHOOL.
The inscription is open for painting and drawing, drama, literature, guitar playing at the APH. Classes begins on April 17th, Mondays, Thursdays and Saturdays. For more information 234-0167, 234-8715

PANHISPANIC DOUBTS DICTIONARY.
On March 2nd, the Honduran Academy of Language and the Spain Embassy presented the Dictionary. For more information visit www.rae.es

FEMININE STORY WRITERS ANTHOLOGY. On March 8th at the Women in Arts center was presented this anthology, as an activity of celebrating the International Women Day. For more information contact info@muaartes.org.hn

CATALOG PRESENTATION OF THE ANTHOLOGY OF PLASTIC AND VISUAL ARTS PAST AND PRESENT.
1995-2005. At the National Gallery of Art. March 14th, 19:00 p.m. Cultural Office of Spain Embassy

GRAND OPENING BELLAS ARTES GALLERY AND CAFE AT ROATAN.
Come celebrate the Spring Equinox. Sunday March 19th, 4:00 p.m.. On main road behind West Bay, Roatan, just past shopping mall.

INFORMATION ABOUT CULTURAL ACTIVITIES.
Contact contacto@rds.org.hn

NATIONAL LIBRARY INSTALLATIONS FOR EVENTS.
These installations are appropriate for book presentations, expositions, conferences and any other cultural events.

VISIT AN EXCELLENT WEB SITE.
The Association Women in the Arts, Aid Center and Visual Arts is inviting you to visit the web site: www.instala.hn. You will find art activities of the different projects.


MUSIC & DANCE

DANCE, THEATRE,PAINTING WORKSHOPS AND READERS CLUB FOR CHILDREN. Cultural Center for Children in San Pedro Sula. 3 Ave. 12 St. S.O. Paz Barahona neighborhood. Inscriptions until March 31st. Attention schedule: 8:00 a.m. - 12:00 m, I:00 o.m. - 5:00 p.m. . Monday thru Friday.

JEREZ-TEXAS GROUP IN CONCERT.
The flamenco force, the jazz freedom, the classic elegance with Ricardo Steve, Jesus Gamero and Matthieu Saglio. March 16th, 7:00 p.m. Free entrance. For more information contact 236-6875

CLASSIC GUITAR CONCERT BY MICHAEL PATILLLO.
Sunday, March 11th at La Fragua Theatre in El Progreso.

LATIN JAZZ QUARTET OF ALEJANDRO AVILES (LATINO JAZZ)
In San Pedro Sula: March 21st, 7:30 pm. Santa Barbara, Multicultural Hibueras Center, MArch 22th, 7:00 p.m. Tegucigalpa, Manuel Bonilla Theatre, March 23th, 7:00 p.m. Sponsored by USA Embassy and the Secretary of Culture, Arts and Sports. Free entrance.

SECOND CENTRAL AMERICAN PRESENTATION OF EMERGENT ART.
The Contemporary Art and Design Museum of San José, Costa Rica invites Central Americans and foreign residents in Central America to participate in this event. For more information contact the Cultural Office of the Spanish Embassy, Col. Palmira, Colombia St. Tegucigalpa. Tel: 232-2019; or visit www.madc.ac.cr

THE TREASURE THAT YOU HAVE: EL TESORO QUE TIENES.
The new CD of Guillermo Anderson, produced with the support of the Rio Platano Biosphere Project and the German Cooperation Agency (GTZ). The Misquito artist Juan Cooper is the guest of honor. For information contact 550-3105

SABOR CUBANO.
- Come and enjoy the best Latin Rhythms: Salsa, Merengue, and Rumba. Every Friday at Restaurant-Bar: “Sabor Cubano” Learn how to dance with the best dancers in town and enjoy the original “Mojito Cubano”! Colonia Palmira, No. 1933, half a block from Taco Taco. For more information call: 235-9947.

EXCELLENT LIVE MUSIC.
Fridays and Saturdays at Restaurant El Corral, Col. Alameda. Meats are their specialty.


MISCELLANEOUS

FRENCH ALLIANCE WORKSHOPS •Elaboration of cleaning products. Tegucigalpa, February 20 - 23, 10:00 - 12:00 m, 3:00 - 5:00 p.m. and from 6:00 - 8:00 p.m.

Elaboration of cosmetic products, theory, formulas and practice. Tegucigalpa, February 27 - March 2. 10:00 - 12:00 m: 3:00 - 5:00 p.m. 6:00 . - 8:00 p.m.

Serigraphy workshop in San Pedro Sula Five Saturdays, March 11 from 3:00 to 7:00 p.m.

Puppet workshop in San Pedro Sula. Fie Saturdays, 3:00 - 7:00 p.m., starting on March 11.

RELIGIOUS FAIT HONORING SAN JOSE. March 19 in Santa Rosa de Copan, Barrio Buenos Aires in Tegucigalpa, Las Colinas, Santa Barbara, Nacaome, Valle.

 

MUSEUMS & GARDENS

TEGUCIGALPA 

MUSEO DE HISTORIA REPUBLICANA

The Museum of Republican History is located at the Villa Roy building in Tegucigalpa's Barrio Buenos Aries.  It is open 8:30 to 3:30, Tuesdays through Sundays and features portraits, paraphernalia, and other interesting items from past presidents.  Admission is Lps. 20 for non-resident foreigners and Lps. 10 for Hondurans and Central Americans.  For more information, call 222-3470 or 222-1468. 

CENTRAL BANK MUSEUM

The Central Bank of Honduras located at the Comayaguela annex building is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.  It has a permanent coin and painting exhibit.  For special presentations, call the Emision y Tesoreria department at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] 

NATIONAL ART GALLERY

The Galeria Nacional de Arte features rock art, pre-Columbian ceramics, colonial paintings, religious art and a wide selection of 20th century Honduran painters.  The gallery is located at the Plaza de la Merced in downtown Tegucigalpa.  It is open Tuesday through Saturday from 10-5 p.m. and Sunday from 10-2 p.m.  Admission is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students and Lps. 1 for children accompanied by adults. 

IGUANA FARM

The Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public to come and learn everything about iguanas.  Admission is Lps. 5 for adults, Lps. 3 for children.  The facility is open every day (except Wednesday) from 9 to 5.  For more information, call 230-6346.

COMAYAGUA, COMAYAGUA 

COMAYAGUA MUSEUM OF ARCHAEOLOGY

Located in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua Museum of Archaeology is in the building that served as the seat of government in the 19th century.  Exhibits include prehistoric fossils, cave art, ceramics, and objects used by indigenous cultures during the pre-Colombian era.  The museum, which also has a small library, is open to the public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. 

COMAYAGUA RELIGIOUS MUSEUM

Located in the Casa Cural in front of Comayagua's cathedral, this museum features religious paintings and objects dating back to the 16th century.  Hours are 8-12 and 2-4 p.m., Mondays through Fridays.  For more information, contact Leonardo Letona at 772-0348.

LA PAZ, LA PAZ 

LA PAZ HOUSE OF CULTURE

The La Paz Casa de la Cultura is located in downtown La Paz.  It features an attractive exhibit of the Lenca handicrafts and culture.  It is open Mondays through Sundays.

SAN PEDRO SULA, CORTES 

SPS MUSEUM OF ANTHROPOLOGY AND HISTORY

The Museo de Antropologia e Historia de San Pedro Sula features exhibits on the development of Sula Valley, from 1500 B.C. to the middle of this century.  The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays and 9 a.m. to 3 p.m. on Sundays.  Admission is Lps. 10 for adults, Lps. 5 for students and children under 12, and Lps. 2 for senior citizens.  For more information, call 557-1496/557-1798 or fax 557-1874. 

MUSEUM OF NATURE OF SAN PEDRO SULA

Sponsored and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this new museum was inaugurated last December in its current location at the Biocentro on 3 Avenida and 9 Calle Noroeste.  It has 24 exhibits on the environment, natural resources and biology of Honduras.  Hours are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.  Admission is Lps 5 for students from public schools and Lps. 10.00 for everyone else.

YUSCARAN, EL PARAISO 

YUSCARAN HOUSE OF CULTURE

Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli.  It is open Mondays through Saturdays.

OLANCHO 

PECH CULTURAL CENTER

The Pech have built a small house in El Carbon, Olancho to display their modern handicrafts.  An exhibit of archaeological finds in the area is planned.  You can ask to see the collection and/or get a tour of a Post Classic era fortified site.  The Pech Cultural Center also offers medicinal plant tours, nature hikes, Pech dinners, etc.  There is no admission fee to the cultural center.  Hours: If you ask, they will open it.

COPAN 

COPAN ARCHEOLOGICAL MUSEUM

Located in the village of Copan Ruinas, Copan department, the museum exhibits a splendid assortment of Mayan pieces that have been found in the Copan Ruins Archaeological Park just 1 km away.  

LA PUENTE ARCHAEOLOGICAL MUSEUM

Featuring a sizeable collection of Mayan handicrafts and photographs as well as a room with Japanese antique ceramics, this museum is located at the El Puente Archaeological Site, about an hour's drive from Copan Ruinas. 

MAYAN SEPULTURAS MUSEUM

Inaugurated in 1996, this is the premier Mayan museum in the Mundo Maya, featuring the finest examples of Copan's tombs, sculptures and architecture.  Located at the Copan Ruins Archaeological Park, the museum is open Monday through Sunday.  

TELA, ATLANTIDA 

LANCETILLA BOTANICAL GARDENS

Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America.  It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays.  There is an admission charge.

LA CEIBA, ATLANTIDA 

TROPICAL BUTTERFLY FARM

The Tropical Butterfly Farm & Gardens of La Ceiba is open to the public Wednesday to Sunday, 8 a.m. to 4:30 p.m.  The farm is located at The Lodge at Pico Bonito in the village of El Pino, about 25 minutes west of La Ceiba.  Admission is Lps. 30 for adults, Lps. 15 for children and $6 for international visitors. 

BUTTERFLY AND INSECT MUSEUM

Thousands of butterflies and insects from Honduras and 18 other countries are on display in La Ceiba' private Butterfly and Insect Museum.  It is located in Colonia El Sauce, 2nd etapa, casa G-12.  Visiting hours are 8-12 and 2-5, Monday through Saturday.  The museum is closed Wednesday afternoon.  Fees are Lps. 15 for adults and Lps. 10 for students.  Tel. 442-2874, e-mail: rlehman@ns.gbm.hn

TRUJILLO 

TRUJILLO RUFINO GALAN MUSEUM

A private museum which has a memorabilia section, old chairs, anchors, silverware, beds of famous people locally.  There is an industrial archaeology section on how lights, axes, stoves, sewing machines, typewriters have changed over time.  They have a good collection of Garifuna handicrafts and the best collection of NE Honduras archaeological pieces -- all unmarked.  A written guide to the museum is available at the Trujillo Tourism Office in English and Spanish.  The museum is open 8 to 4, closing for lunch.  Adults Lps. 20, children Lps. 10.  Located on Calle 18 de Mayo, next to the Crystales River and the famous "piscina" or pool, about a 15-minute walk out of town.

ROATAN, THE BAY ISLANDS 

CARAMBOLA BOTANICAL GARDENS

h located in Sandy Bay, Roatan, Bay Islands.  A wide variety of exotic plants is featured here, including "Roatan's most extensive orchid collection."  It is open daily from 7 a.m. to 5 p.m.  For more information, call 445-1117 and ask for Bill or Irma Brady. 

BAY ISLANDS MUSEUM

A private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands, it mostly includes archaeological pieces, but there is a small section on the modern Bay Islanders.  Museum admission is included in the cost of the dolphin show at Anthony Key's Institute of Marine Sciences.  Small buses or taxis will take you to Sandy Bay from most Roatan towns.

Monday, March 06, 2006 Online Edition 8

Street fighters learning art

 

Emma Barlow
Honduras This Week

Street
Emma Barlow/Honduras This Week
Two girls from  the SuperArte project where young people from the street created handicraft.


In the Medicos Sin Frontera's building in downtown Comayaguela a small project has been working to significantly improve the lives of the city's street children, helping them fight their all too ominous futures.

The project coordinators, Agathe de Chassey and Antonio Perla brought together their two unique skills and with the help of the MSF have created a most successful project.

 The children, already familiar with the site of MSF were invited to join the latest of the SuperArte Projects. Perla's talent lies in art - at his home in Guatemala he works as a sculptor. De Chassey's expertise is in agrotherapy - a concept of therapy through production, "reinforcing a sense of patience and providing time for reflection," de Chassey clarified.

De Chassey also explained that the center provided the children with a "therapeutic, relaxing space where they could escape the menacing environment of the street for a few hours every day." For many it is an opportunity to concentrate on something other than the drugs and violence that plague them in their everyday lives.

The daily workshops which ran for six weeks finished this week. They attracted many children, girls and boys, young men and women. Some children were frustrated by the conditions of the project - politeness and respectfulness was insisted on, bad language was prohibited, the children had to dress properly and drugs and weapons are permanently banned from the site. However, a group of dedicated children soon emerged who followed the project from start to finish. Many of these children were pregnant girls who thrived under such regulations and enjoyed the separation of girls and boys at the beginning of the project, feeling safe for the first time in a long while.

The children who committed themselves to the project were well rewarded when it was revealed their works would be sold and the "artists" would receive something in return. The craftware consisting mainly of mirror and glassware has sold well and an exposition of the works was particularly successful. "Not just in terms of money - the project overall has provided the children with a real sense of achievement and many of them stayed off drugs for the length of the project." Perla said.

The income made from the sales exceeded all expectations and posed the project coordinators with a dilemma. The need to give something back to the children was obvious but the pair feared that a cash payment would be used to feed habits such as drug abuse and alcoholism. The end result was a points system - if a child earns 100 points they can go to a supermarket and while supervised buy whatever they need.

The pair of volunteers hope that some of their work will be continued after they leave. "We have set up everything to keep it going - we have a customer base and contacts willing to donate the materials, it would be simple to carry on," Perla said.

There are not many projects that provide such quick results - in six short weeks a child's outlook on life can significantly change, having created something that another person admired and purchased heightens their sense of feeling accepted and valued.

Their social skills have been developed through working closely with others and SuperArte has provided them with a skill that could help support them and their families through the sale of homemade art.

More importantly SuperArte provides its participants with an opportunity to act like children should - to have fun, in a safe environment. "Some of these children are simply not used to good things happening to them," summed up de Chassey.

 

President Zelaya meets island dignitaries

Bruce Starr
Honduras This Week


 Just a few weeks after becoming the President of Honduras, President Mel Zelaya, along with a few of the new Ministers important to the development of The Bay Islands traveled to Roatan to meet with all the areas newly elected officials.

 He met with the newly elected Congressman of the Bay Islands, Jerry Hynds, the newly elected Mayor of Roatan, Dale Jackson, the newly elected Mayor of The Jose San Guardiola District, Perry Bodden, the newly elected Mayor of Guanaja, Richard Hurlston, the re-elected Mayor of Utila, Alton Cooper, the newly named Minister of Tourism, Ricardo Martinez, the re-elected President of Canaturh Bay Islands, Romeo Silvestri and legal expert Italo Tugliani.

Also invited to this meeting were business and community dignitaries from the island as well as real estate developers and the press. President Zelaya graciously gave of his time to most everyone at the meeting giving each person a few seconds to a few minutes of uninterrupted personal time.

I have been told for years that there has been talk of making The Bay Islands a "Free Zone," but it never materialized. Never before have all the top political leaders been aligned and in agreement that a "free zone" will be a tremendous boom to the area. During our few minutes together, I asked him to explain his plan.

RB: Congratulations on your winning the election and becoming the new President of Honduras. Can you speak to the English speaking audience about why you are here in Roatan today and your plans for the Bay Islands over the coming months and years?

(Through interpreter Italo Tugliani) President Zalaya: I am here to announce the preliminary steps in order to issue a special law to declare the Department of the Bay Islands a "Free Zone" status that will include all four municipalities.

 RB: Can you please tell us a little about this very ambitious plan?

President Zelaya: It is to create a political status to form enough security for the people of the territories, enough security for their investment, a privilege of their fiscal incentive or exemption where people are not going to pay governmental taxes, but instead will pay services tariffs for what is needed in the communities. Also, a Commissioner is going to be appointed by me. This Commissioner will rule and govern these islands. All permits that need to be issued will be issued here instead of having to go to the state capital.

Bruce Starr is the host of The Roatan Bruce Show heard weekdays from 11am to 2 pm across the Bay Islands and Northern Honduras on Magic 107.7 FM. Please visit his website at roatanbruce.com or contact him with comments, story or interview ideas at roatanbruce@yahoo.com.

Roatan Bruce
Magic 107 7. FM
Monday to Friday
11 am to 2 pm
455-6650

 

course


'In an honest service, there is thin Commons, low wages, and hard Labour; in this, Plenty and Satiety, Pleasure and Ease, Liberty and Power; and who would not ballence Creditor on this Side, when all the Hazard that is run for it, at worst, is only sower Look or two at choaking. No, a merry life and a short one shall be my Motto.'

--Bartholomew Roberts, pirate; 16th Century

Woodes Rogers may have done well for himself by turning coats, but many others remained true to their colors: the sun-bleached skull and bones on a black field: the Jolly Roger.

These men (and women) knew of no god other than gold, and no devotion other than to themselves (and sometimes their crews), and insofar as this, they remained honest to their calling. 

Their names evoke a grim epoch, where rest meant drunken revelry and work meant sacking ships and towns: John Avery, George Lowther, Edward Teach (Blackbeard), John Coxon, Charles Vane, John Rackham (Calico Jack) and the lady pyrates Anne Bonney and Mary Read. Throughout the seventeenth century and the beginning of the eighteenth, they all plied the waters of the West Indies in search of vessels laden with Spanish doubloons; and upon meeting with any resistance they rarely, if ever, gave quarter...

The Jolly Roger may have begun as a red pennant, le Jolie Rougere, flown by early French buccaneers to signal that no prisoners would be taken and thus, that no quarter should be expected. But Bartholomew Roberts, a successful pirate also nicknamed "Joli Rouge," is credited with being the first to fly the skull and crossbones in the early 1600's.

Pirates hanged in Rhode Island called their flag "Old Roger" in an early 18th century allusion to the Devil. Also, in underworld slang of that time, roger meant rogue.

To this day, the exact origin of the notorious flag and its name remains befuddled. But one thing is clear: whether the field was red or black, whether the skull sat on crossed bones or cutlasses, just to see it flying on a mast atop a ship in the horizon meant a sure quickening of the heart, followed by a time for hard decisions. Giving up meant having to explain to the king about having lost his milk money; and putting up resistance almost surely entailed the ship's destruction and the death of the crew, to a man.

The method was simple, but well thought out. The lands controlled by the Spaniards, from Central America to the northern coast of South America, collectively known as the Spanish Main, were rich in gold. The conquistadores had dotted the coast with fortified positions that served as ports (like the one in Omoa). These also served as banks where future remittances of bullion were gathered from all points inland.

 Of course, these forts were impervious to attack either from land or sea. Shore batteries were larger than any that could be carried on a ship, and thus incoming raiders often found themselves greeted by fire from well beyond the range of their own guns. And to attack from land meant having to brave the jungle and then lay siege to a well-defended bastion in the sweltering tropical heat.

So in order to relieve Spain of her gold, pirates had to either get at the mule trains, while still in the jungle trails (which did happen more often than not) or wait for the bullion ships to weigh their anchors and head for Europe by way of the Atlantic.

The islands in and around the Caribbean, particularly the many keys in the Bahamas and other small islands like Roatan and the Caymans, afforded the "brethren of the coast" with perfect bases from whence to pounce on treasure-laden vessels. And such was the pirate's specialty, for ambush in the jungle meant having to fend off mosquitoes and deal with snakes-not to mention the many armed and angry soldiers.

These waters are filled with sandbars and reefs, which were better known to those living near them. In combination with their heavy cargo and sore design, the Spanish ships were at a disadvantage. The many available islets and coves offered a pirate the upper hand whenever it came time to hide, as well as numerous caves to serve as caches.

It is not strange, then, that many a ship gave up without any resistance upon spotting the Jolly Roger. Only a few gung-ho types whose names, unfortunately, history did not grace as glamorously as it did Blackbeard's favored immediate glory, and death.

Honduran  Paintings

Tegucigalpa 
Monument of Peace
   
A. Luna (D)   1977    Honduras
12 x 10 Painted 1977
Rare

Summer Sale!
See More Painings at
www.honduraspaintings.com

culinary

This past Wednesday marked the beginning of Lenten season for the Catholic Church, approximately 40 days before Easter Sunday. The practice of giving up meat during this time has been gradually been reduced to Ash Wednesday and Fridays, and fish and seafood become the protein of choice for most catholics.

The key to finding good quality fish and seafood is to trust your senses. Sight, smell and touch are equally important. Fresh is best, and frozen can also be of excellent quality, depending on the source. The distinction of fresh fish is often troubling to me, as many here in Honduras claim that fish is fresh if it has not been frozen. The problem with this theory is HOW the fish was handled between the time it is taken from the water and the time it sold to the customer. If the fish is gutted and kept on ice, and the melting ice is allowed to drain away from the fish, chances are pretty good you will have a good quality product. When purchasing fresh fish I always look at the eyes first, to see if they are clear and translucent.

I will then inspect the gills. With the gills I look for a rich, vibrant colors and at this time I will feel the gills and the underside of the fish for the absence of slime. I will also smell the fish and avoid a strong dominant fish smell or a chemical-like smell of lime or bleach, masking agents used to reduce days old smell of the fish. Once I have settled on the fish, I will ask the purveyor to fillet the fish, saving the head, tail, skin and bones for a future use as a stock for a fish soup (next week's article).

One of the simplest recipes for fresh fish is to cook the fish quickly and finish with a lemon-lime butter sauce. Depending on the thickness of the fillets, the cooked fish may require additional time on a pre-heated oven to complete the cooking process. I will dredge the fillets in seasoned flour (salt, pepper, and thyme). I like to rub the dried thyme between my hands to release some of the natural oils in the herb before adding to the flour mixture. It is best to estimate about 2-3 tablespoons of salt and black pepper and 1 tablespoon of dried thyme for each cup of flour. I will also cook with whole butter, and if the butter is salted you can reduce the amount of salt in the flour. It is also important not to dredge the fillet to early, as the fillet will quickly absorb the flour mixture and become gummy.

Fresh fish fillets
6 oz per serving
Whole butter about 1 bar
Flour 1 cup
Salt 2-3 tablespoons
Pepper 2-3 tablespoons
Thyme 1 tablespoon
Parsley ½ cup washed,  dried and chopped fine
Lime 2-3 ounces

Worcestershire sauce to taste

Preheat a large skillet to medium high heat, add whole butter and melt quickly, I use enough butter to coat the bottom of the pan and cook the butter without color, if necessary, lift the skillet off the heat when adding the butter so it does not brown or burn. Once the butter is melted, add the dredged fillet(s) skin side up, cook until the fillet is golden brown around the edges and turn over, place in a pre-heated 300-degree oven and continue cooking until fish is slightly flaky.

Remove pan from oven, remove fillet and keep warm. In the same pan add 2-3 tablespoons of whole butter per person, allow the butter to cook to a light brown color, add chopped parsley, fresh lemon or limejuice and a dash of worcestershire sauce, remove from heat. The lemon or limejuice will stop the cooking process and prevent the butter solids from burning. To serve drizzle the sauce over the cooked fillet and serve immediately.

Questions or comments: e-mail me at culinary_adventures@hotmail.com

Mayan

CULTURAL EVENTS

ART

WOMEN IN THE ARTS
Mujeres en las Artes. One of the strongest artistic movements in Tegucigalpa. Mujeres en la Artes Leticia de Oyuela constantly sponsors workshops, exhibitions, conferences, art shows and community events in the city. For the complete schedule, log on to www.muaartes.org.hn or contact Veronica Romero at 222 3015.

MARIONETTE WORKSHOP.
For elementary school teachers. French Alliance in San Pedro Sula on Saturdays, starting on March 11, 3 - 7 p.m.

TERCO CULTURAL PRODUCTIONS. Contact them, they always have info on cultural activities.
E-mail: tercoproducciones@gmail.com

HUELLAS, THEATRE PLAY PRESENTATION.
The play will be presented in Copán, February 24,25 at the Central Park and at the City Hall. General entrance Lps. 40.00 Arte Acción and the Theatre Embassy of Netherlands are the sponsors of the event.

SHARING CULTURAL ACTIVITIES.
Visit www.denniscerratoart.com
www.galler ofthemaster.comwww.hondurasart.com

CULTURAL ACTIVITIES.
Cafe Paradiso (downtown) is always performing cultural activities.
Contact paradiso@cablecolor.hn

INFORMATION ABOUT CULTURAL ACTIVITIES.
Contact contacto@rds.org.hn

NATIONAL LIBRARY INSTALLATIONS FOR EVENTS.
This installations are appropriate for book presentations, expositions, conferences and any other cultural events.

VISITING AN EXCELLENT WEB SITE.
The Association Women in the Arts, Aid Center and Visual Arts is inviting you to visit the web site: www.instala.hn. You will find art activities of the different projects.

MUSIC & DANCE

GUITAR CONCERT. Sponsored by USA Embassy and Ministry of Culture, Arts and Sports. Presenting the musician Rico Stover. Manuel Bonilla Theatre. March 3, 7:00 p.m. Free entrance.

FRANCO DE VITA IN CONCERT. 1001 stories. February 22, Engineering National Coliseum, 8:00 p.m. V.I.P Lps 1,000; Chair: Lps 600.00, general entrance: Lps 300.00

SECOND CENTRAL AMERICAN PRESENTATION OF EMERGENT ART. The Contemporary Art and Design Museum of San José, Costa Rica invites Central Americans and foreign residents in Central America to participate in this event. For more information contact the Cultural Office of the Spain Embassy, Col. Palmira, Colombia St. Tegucigalpa. Tel: 232-2019; or visit www.madc.ac.cr


THE TREASURE THAT YOU HAVE: EL TESORO QUE TIENES. The new CD of Guillermo Anderson, produced with the support of the Rio Platano Biosphere Project and the German Cooperation Agency (GTZ). The Misquito artist Juan Cooper is the guest of honor. For information contact 550-3105

SABOR CUBANO.- Come and enjoy the best Latin Rhythms: Salsa, Merengue, and Rumba. Every Friday at Restaurant-Bar: “Sabor Cubano” Learn how to dance with the best dancers in town and enjoy the original “Mojito Cubano”! Colonia Palmira, No. 1933, half a block from Taco Taco. For more information call: 235-9947.

EXCELLENT LIVE MUSIC. Fridays and Saturdays at Restaurant El Corral, Col. Alameda. Meats are their specialty.

DRAWING, PAINTING AND ENGRAVING EXPOSITION. Café Paradiso in Barrio La Plazuela, Tegucigalpa. Open until March 9. Free entrance

MISCELLANEOUS

FRENCH ALLIANCE WORKSHOPS •Elaboration of cleaning products. Tegucigalpa, February 20 - 23, 10:00 - 12:00 m, 3:00 - 5:00 p.m. and from 6:00 - 8:00 p.m.

• Elaboration of cosmetic products, theory, formulas and practice. Tegucigalpa, February 27 - March 2. 10:00 - 12:00 m: 3:00 - 5:00 p.m. 6:00 . - 8:00 p.m.

•Serigraphy workshop in San Pedro Sula Five Saturdays, March 11 from 3:00 to 7:00 p.m.

•Puppet workshop in San Pedro Sula. Fie Saturdays, 3:00 - 7:00 p.m., starting on March 11.


FIRST MEDICAL JOURNEY ACTUALIZATION.
Honduras Maya Hotel. February 24 -25. Sponsored by Honduras Medical Center and the Honduran Association of Internal Medicine. Inscription: Lps. 140


MUSEUMS & GARDENS

TEGUCIGALPA 

MUSEO DE HISTORIA REPUBLICANA

The Museum of Republican History is located at the Villa Roy building in Tegucigalpa's Barrio Buenos Aries.  It is open 8:30 to 3:30, Tuesdays through Sundays and features portraits, paraphernalia, and other interesting items from past presidents.  Admission is Lps. 20 for non-resident foreigners and Lps. 10 for Hondurans and Central Americans.  For more information, call 222-3470 or 222-1468. 

CENTRAL BANK MUSEUM

The Central Bank of Honduras located at the Comayaguela annex building is open from 9 a.m. to noon and from 1 to 4 p.m., Monday to Friday.  It has a permanent coin and painting exhibit.  For special presentations, call the Emision y Tesoreria department at 237-2270 (-78), ext. 2117 (-2120). [CLOSED UNTIL FURTHER NOTICE.] 

NATIONAL ART GALLERY

The Galeria Nacional de Arte features rock art, pre-Columbian ceramics, colonial paintings, religious art and a wide selection of 20th century Honduran painters.  The gallery is located at the Plaza de la Merced in downtown Tegucigalpa.  It is open Tuesday through Saturday from 10-5 p.m. and Sunday from 10-2 p.m.  Admission is Lps. 10 for adults, Lps. 5 for senior citizens, Lps. 3 for students and Lps. 1 for children accompanied by adults. 

IGUANA FARM

The Biosfera Ecocentro Iguana Farm in Colonia La Joya invites the public to come and learn everything about iguanas.  Admission is Lps. 5 for adults, Lps. 3 for children.  The facility is open every day (except Wednesday) from 9 to 5.  For more information, call 230-6346.

COMAYAGUA, COMAYAGUA 

COMAYAGUA MUSEUM OF ARCHAEOLOGY

Located in the city of Comayagua, two hours north of Tegucigalpa, the Comayagua Museum of Archaeology is in the building that served as the seat of government in the 19th century.  Exhibits include prehistoric fossils, cave art, ceramics, and objects used by indigenous cultures during the pre-Colombian era.  The museum, which also has a small library, is open to the public Tuesdays through Sundays from 8:30 a.m. to 4 p.m. 

COMAYAGUA RELIGIOUS MUSEUM

Located in the Casa Cural in front of Comayagua's cathedral, this museum features religious paintings and objects dating back to the 16th century.  Hours are 8-12 and 2-4 p.m., Mondays through Fridays.  For more information, contact Leonardo Letona at 772-0348.

LA PAZ, LA PAZ 

LA PAZ HOUSE OF CULTURE

The La Paz Casa de la Cultura is located in downtown La Paz.  It features an attractive exhibit of the Lenca handicrafts and culture.  It is open Mondays through Sundays.

SAN PEDRO SULA, CORTES 

SPS MUSEUM OF ANTHROPOLOGY AND HISTORY

The Museo de Antropologia e Historia de San Pedro Sula features exhibits on the development of Sula Valley, from 1500 B.C. to the middle of this century.  The museum is open 10 a.m. to 4:15 p.m. Tuesdays through Saturdays and 9 a.m. to 3 p.m. on Sundays.  Admission is Lps. 10 for adults, Lps. 5 for students and children under 12, and Lps. 2 for senior citizens.  For more information, call 557-1496/557-1798 or fax 557-1874. 

MUSEUM OF NATURE OF SAN PEDRO SULA

Sponsored and managed by the Fundacion Ecologista H.R. Pastor Fasquelle, this new museum was inaugurated last December in its current location at the Biocentro on 3 Avenida and 9 Calle Noroeste.  It has 24 exhibits on the environment, natural resources and biology of Honduras.  Hours are 8 a.m. to 5 p.m. daily and 8 a.m. until noon on Saturdays.  Admission is Lps 5 for students from public schools and Lps. 10.00 for everyone else.

YUSCARAN, EL PARAISO 

YUSCARAN HOUSE OF CULTURE

Yuscaran's Casa de la Cultura is located at the former Casa Fortin in downtown Yuscaran, El Paraiso department, just 45 km from Tegucigalpa on the road to Danli.  It is open Mondays through Saturdays.

OLANCHO 

PECH CULTURAL CENTER

The Pech have built a small house in El Carbon, Olancho to display their modern handicrafts.  An exhibit of archaeological finds in the area is planned.  You can ask to see the collection and/or get a tour of a Post Classic era fortified site.  The Pech Cultural Center also offers medicinal plant tours, nature hikes, Pech dinners, etc.  There is no admission fee to the cultural center.  Hours: If you ask, they will open it.

COPAN 

COPAN ARCHEOLOGICAL MUSEUM

Located in the village of Copan Ruinas, Copan department, the museum exhibits a splendid assortment of Mayan pieces that have been found in the Copan Ruins Archaeological Park just 1 km away.  

LA PUENTE ARCHAEOLOGICAL MUSEUM

Featuring a sizeable collection of Mayan handicrafts and photographs as well as a room with Japanese antique ceramics, this museum is located at the El Puente Archaeological Site, about an hour's drive from Copan Ruinas. 

MAYAN SEPULTURAS MUSEUM

Inaugurated in 1996, this is the premier Mayan museum in the Mundo Maya, featuring the finest examples of Copan's tombs, sculptures and architecture.  Located at the Copan Ruins Archaeological Park, the museum is open Monday through Sunday.  

TELA, ATLANTIDA 

LANCETILLA BOTANICAL GARDENS

Located 2 kilometers from Tela on the Atlantic coast highway, the gardens feature one of the largest collections of tropical and subtropical plants, shrubs and trees in all Latin America.  It is open from 7:30 a.m. to 2:30 p.m., Mondays through Sundays.  There is an admission charge.

LA CEIBA, ATLANTIDA 

TROPICAL BUTTERFLY FARM

The Tropical Butterfly Farm & Gardens of La Ceiba is open to the public Wednesday to Sunday, 8 a.m. to 4:30 p.m.  The farm is located at The Lodge at Pico Bonito in the village of El Pino, about 25 minutes west of La Ceiba.  Admission is Lps. 30 for adults, Lps. 15 for children and $6 for international visitors. 

BUTTERFLY AND INSECT MUSEUM

Thousands of butterflies and insects from Honduras and 18 other countries are on display in La Ceiba' private Butterfly and Insect Museum.  It is located in Colonia El Sauce, 2nd etapa, casa G-12.  Visiting hours are 8-12 and 2-5, Monday through Saturday.  The museum is closed Wednesday afternoon.  Fees are Lps. 15 for adults and Lps. 10 for students.  Tel. 442-2874, e-mail: rlehman@ns.gbm.hn

TRUJILLO 

TRUJILLO RUFINO GALAN MUSEUM

A private museum which has a memorabilia section, old chairs, anchors, silverware, beds of famous people locally.  There is an industrial archaeology section on how lights, axes, stoves, sewing machines, typewriters have changed over time.  They have a good collection of Garifuna handicrafts and the best collection of NE Honduras archaeological pieces -- all unmarked.  A written guide to the museum is available at the Trujillo Tourism Office in English and Spanish.  The museum is open 8 to 4, closing for lunch.  Adults Lps. 20, children Lps. 10.  Located on Calle 18 de Mayo, next to the Crystales River and the famous "piscina" or pool, about a 15-minute walk out of town.

ROATAN, THE BAY ISLANDS 

CARAMBOLA BOTANICAL GARDENS

h located in Sandy Bay, Roatan, Bay Islands.  A wide variety of exotic plants is featured here, including "Roatan's most extensive orchid collection."  It is open daily from 7 a.m. to 5 p.m.  For more information, call 445-1117 and ask for Bill or Irma Brady. 

BAY ISLANDS MUSEUM

A private museum at Anthony's Key Resort, Sandy Bay, Roatan, Bay Islands, it mostly includes archaeological pieces, but there is a small section on the modern Bay Islanders.  Museum admission is included in the cost of the dolphin show at Anthony Key's Institute of Marine Sciences.  Small buses or taxis will take you to Sandy Bay from most Roatan towns.

Marie Belle Chocolate

Honduras This Week - Opinions and EditorialsHonduras This Week National NewsCentral American NewsTravel & Tourism in HondurasHonduran Culture
Environment in HondurasHonduran Business and EconomicsPrevious Issues of Honduras This Week OnlineAbout Honduras This WeekClassifieds Advertising for Honduran Businesses

All original articles and photographs published in Honduras This Week are protected by international copyright law. Reproduction, in whole or in part without prior written permission, is strictly prohibited. Published online by Marrder Omnimedia in association with Galaxy Multimedia. Comments or suggestions regarding this web site should be addressed to the webmaster, Stanley Marrder at stan@marrder.com . Letters to the editor should be addressed to: hontweek@hondutel.hn .

We rated with RSAC Marrder Omnimedia